Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La guitarrita is a Tango written by Gabriel Clausi and composed by Eduardo Arolas.
“La guitarrita,” translated to “The Little Guitar,” poetically narrates the tale of a cherished companion – the guitar – woven deeply into the narrator’s life and loves. It conjures images of idyllic nights filled with music, love, and the soothing scents of jasmine. The lyrics share a story of reflection, encompassing joy, sorrow, and the evocative power of music that binds memories to the present. It’s a profound ode to cherished moments and the poignant beauty of nostalgia in life’s journey.
The guitar in this tango symbolizes much more than a musical instrument. It represents a friend, a confidant, and a container of the narrator’s deepest emotions and memories. Phrases like “mi compañera” and “llenó mis noches de ilusión” illustrate the guitar not just as a physical object but as a vessel carrying the weight of dreams and the sweetness of past romance. The recurring motifs of night, moonlight, and florid scents deepen the symbols of love and the passage of time – evocative of an Argentina rich in folklore and romanticism.
“La guitarrita” emerged in Argentina during the early 20th century, a pivotal era for Tango. The 1930 release date situates this piece at a time when Tango was both evolving and solidifying its place in Argentinian identity. During these years, Tango lyrics often reflected themes of longing, nostalgia, and personal reflection, mirroring societal sentiments post-World War I and during the strains of the Great Depression. Thus, the emotional depth and reflective nature of this song engage directly with its historical and geographical roots, presenting a poignant exploration of personal and collective sentiment.
Gabriel Clausi, known affectionately as “Chula,” was a pivotal figure in the Argentine tango scene, celebrated for both his compositions and performances.