Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La esquina is an instrumental Tango composed by Lucio Demare.
“La esquina,” which translates to “The Corner” in English, as an instrumental piece by Lucio Demare, might evoke the imagery of a bustling street corner in Buenos Aires. The music could start with an introduction that mirrors the tranquil anticipation one might feel when approaching an intersection in a tango-infused neighborhood. As the instruments weave together, the sound might mimic the lively and unpredictable interactions that happen around a corner, from chance encounters to the complex choreography of dancers moving in synchronicity.
The middle section might slow down, capturing a moment of reflection, where onlookers pause to absorb the environment—the distant echo of footsteps or the soft hum of a nearby café. This section would invite listeners to imagine an intricate dance of life occurring at the crossroads of the city.
As “La esquina” progresses towards its conclusion, it could build to a crescendo, symbolizing the climax of stories unfolding at that corner, where paths intersect and new journeys begin. The piece might close with a nostalgic return to the initial melody, leaving a lingering sense of the vibrant yet ephemeral moments experienced at “The Corner.”
Lucio Demare, renowned for his profound contributions to the tango genre, composed “La esquina” in 1938, a testament to his ability to capture the spirit of Buenos Aires through instrumental storytelling. His orchestra, known for its emotive expression and technical prowess, would deliver “La esquina” with an expert blend of passion and sophistication, paying homage to the timeless dance and the city’s cultural heartbeat.