Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La espuela is an instrumental Tango composed by E. Pigrau Güidini.
In English, “La espuela” translates to “The Spur.” As an instrumental piece played by the renowned Tango Orchestra led by Juan D’Arienzo, “La espuela” likely evokes the rhythmic precision and sharpness that its name suggests. The spur, often used to direct a horse with speed and agility, can be musically interpreted through quick, spirited notes and sharp, punctuated rhythms typical of D’Arienzo’s style. The composition may reflect the spirited nature of a milonga, embodying the dance’s lively and energetic essence.
Juan D’Arienzo, famously known as “The King of Rhythm,” could have brought his distinctive upbeat style to “La espuela,” making it a vibrant addition to his orchestra’s repertoire. The piece likely features the signature strong rhythms and lively tempo associated with D’Arienzo, inviting dancers to respond with enthusiasm and precision, much like how the spur commands a horse. Recorded in the vibrant era of 1946, “La espuela” would resonate with the post-war exuberance of Tango, capturing the spirit of that time.