Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La de los ojos tristes is a Tango written by Héctor Marcó and composed by Edgardo Donato.
La de los ojos tristes” revolves around a poignant narrative infused with nostalgia and a deep sense of loss. The central figure, referred to as “la de los ojos tristes” or “the one with sad eyes,” is a deeply missed presence, evoking the theme of longing for a loved one who has passed away. As the lyrics unfold, we encounter a dance setting where memories are vividly brought to life, intertwined with the melancholic tones of a bandoneón, symbolizing both a call to dance and an expression of sorrow.
Throughout the tango, symbolism plays a significant role in conveying emotional depth. The bandoneón, crying out “alerta” (alert), epitomizes the awakening of poignant memories, acting as a bridge between past and present emotions. The reference to dancing—a recurrent action in the song—symbolizes life’s continuous movement and the attempt to redeem through the joy and intimacy of dance. Notably, phrases like “no me despierten si sueño” (do not wake me if I dream) highlight a desire to remain in a dreamlike state, clinging to the happier times represented in these dreams.
Recorded in Argentina in 1945, a period marked by dramatic political and social changes following World War II, “La de los ojos tristes” captures a collective sentiment of melancholy and reflection prevalent during this era. The tango served as a medium for emotional expression, with its nostalgic overtones resonating deeply within a community facing uncertainty about the future, yet finding solace in the familiar, soul-stirring rhythms of their cultural heritage.
Héctor Marcó was an influential lyricist in the realm of Argentine tango, known for his poignant narratives and deep emotional insight.