Fabrice Knecht Tango DJ

La cumparsita

La cumparsita is a Tango written by Gerardo Matos Rodriguez and recorded by Juan D’Arienzo in 1971. Juan D’Arienzo has recorded La cumparsita as an instrumental Tango.
“La Cumparsita,” translated to English as “The Little Parade,” is a tango that captures the essence of fleeting, bittersweet memories. The music leads a procession of emotions, where the echoes of past joys and sorrows march through the heart. Each note dances like a shadow, reminding us of the transient yet profound nature of life’s parades.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Gerardo Matos Rodriguez

Composer

1971/12/7

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Miguel Caló – Tierra querida – 1969/3/28
Miguel Caló – Madre – 1956/6/4
Miguel Caló – Me llamo Anselmo Contreras – 1946/3/8
Miguel Caló – Quedémonos aquí – 1956/12/21
Miguel Caló – Las campanas – 1936/7/13
Juan MAGLIO – Milonguero viejo – 1928/4/2
Pedro Laurenz – Firuletear de bandoneon – 1942/12/2
Pedro Laurenz – Yo soy de San Telmo – 1943/11/16
Pedro Laurenz – Garúa – 1943/8/6
Pedro Laurenz – Improvisando – 1940/7/29
Pedro Laurenz – Barrio tranquilo – 1944/10/4
Alfredo De Angelis – Remembranza (Remembranzas) – 1954/12/28
Alfredo De Angelis – Mi refugio – 1980/1/1
Alfredo De Angelis – Patrona – 1951/5/29
Alfredo De Angelis – Sonsa – 1952/5/30
Alfredo De Angelis – Pavadita – 1958/6/25

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La cumparsita recorded by other Orchestras

La cumparsita recorded by other Orchestras

1971/11/26 – Madame Julie – Juan D-Arienzo
1971/11/26 – Perdoname si quieres (Perdoname si queres) – Juan D-Arienzo
1971/11/26 – Hoy la vas perseguido – Juan D-Arienzo
1971/11/26 – Sin dobleces – Juan D-Arienzo
1971/11/26 – Mi viejo vals – Juan D-Arienzo
La cumparsita – 1943/11/5 – Anibal Troilo – Instrumental
La cumparsita – 1942/11/12 – Carlos di Sarli – Instrumental
La cumparsita – 1951/7/16 – Carlos di Sarli – Instrumental
La cumparsita – (unknown date) – Anibal Troilo – Instrumental
La cumparsita – 1955/6/20 – Carlos di Sarli – Instrumental
La cumparsita – 1963/4/9 – Anibal Troilo – Instrumental
La cumparsita – 1937/12/14 – Juan D-Arienzo – Instrumental
La cumparsita – 1951/9/12 – Juan D-Arienzo – Instrumental
La cumparsita – 1943/11/23 – Juan D-Arienzo – Instrumental
La cumparsita – 1968/9/11 – Cuarteto Anibal TROILO – Instrumental
La cumparsita – 1963/12/10 – Juan D-Arienzo – Instrumental
La cumparsita – 1971/12/7 – Juan D-Arienzo – Instrumental
La cumparsita – 2015/1/1 – Juan D-Arienzo – Instrumental
La cumparsita – 1946/2/8 – Angel d-Agostino – Angel Vargas
La cumparsita – 1964/4/24 – Miguel Calo – Instrumental
La cumparsita – 1927/5/3 – Osvaldo Fresedo – Instrumental
La cumparsita – 1943/6/28 – Osvaldo Fresedo – Instrumental
La cumparsita – 1979/10/30 – Osvaldo Fresedo – Instrumental
La cumparsita – 1926/11/7 – Pedro Laurenz – Instrumental
La cumparsita – 1953/9/22 – Pedro Laurenz – Instrumental
La cumparsita – 1942/9/10 – Rodolfo Biagi – Instrumental
La cumparsita – 1940/11/18 – Ricardo Tanturi – Instrumental
La cumparsita – 1935/5/6 – Edgardo Donato – Instrumental
La cumparsita – 1944/6/3 – Alfredo De Angelis – Nestor Rodi
La cumparsita – 1961/8/29 – Alfredo De Angelis – Instrumental
La cumparsita – 1953/1/22 – Enrique Rodriguez – Instrumental
La cumparsita – 1955/9/16 – Jose Basso – Instrumental
La cumparsita – 1956/7/26 – Jose Basso – Instrumental
La cumparsita – 1961/4/28 – Jose Basso – Instrumental
La cumparsita – 1983/1/1 – Jose Basso –
La cumparsita – 1968/5/2 – Hector Varela – Instrumental
La cumparsita – 1956/11/29 – Hector Varela – Instrumental
La cumparsita – 1954/11/25 – Hector Varela – Instrumental
La cumparsita – 1966/3/21 – Florindo Sassone – Instrumental
La cumparsita – 1973/1/1 – Florindo Sassone – Instrumental
La cumparsita – 1968/5/30 – Florindo Sassone – Instrumental
La cumparsita – 1957/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1951/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1950/5/17 – Osmar Maderna – Instrumental
La cumparsita – 1977/1/1 – Enrique Francini – Instrumental
La cumparsita – 1928/1/11 – Roberto Firpo – Instrumental
La cumparsita – 1917/1/1 – Roberto Firpo – Instrumental
La cumparsita – 1937/7/4 – Cuarteto Tipico Roberto Firpo – Instrumental
La cumparsita – 1973/1/1 – Francini-Pontier – Instrumental
La cumparsita – 1946/12/16 – Francini-Pontier – Alberto Podesta
La cumparsita – 1955/9/13 – Armando Pontier – Instrumental
La cumparsita – 211/12/1 – Horacio Salgan – Instrumental
La cumparsita – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
La cumparsita – 1930/1/1 – Julio De Caro – Instrumental
La cumparsita – 1926/5/12 – Orquesta Tipica Victor – Instrumental

La cumparsita recorded by Juan D’Arienzo

La cumparsita is an instrumental Tango composed by Gerardo Matos Rodriguez.

Interpretation of La cumparsita

“La cumparsita,” translated to English as “The Little Parade,” evokes the imagery of a parade unfolding rhythmically on stage. The title suggests a lively, rhythmic journey, capturing the essence of movement and excitement. Through orchestrated harmonies and dynamic tempos, the piece guides listeners through a nuanced depiction of vibrant processions. Instruments mimic the sound of marching feet and spirited festivities, painting vivid scenes of procession and celebration. This quintessential tango piece, rich in cultural significance, conveys both melancholy and passion, embodying the dual nature of the tango spirit.

Juan D’Arienzo and La cumparsita

When played by Juan D’Arienzo’s orchestra, “La cumparsita” takes on an electrifying life, accentuated by D’Arienzo’s distinctive style known for its energetic and rhythmic vigor. Known as the “King of the Beat,” D’Arienzo accentuates the staccato hallmark of tango, offering listeners an invigorated interpretation of the classic “La cumparsita.” His arrangements drive the melody with a pulsating tempo that enhances the idea of a parade progressing dynamically, maintaining the traditional sentimentality while infusing it with his signature exuberance and articulation. D’Arienzo’s rendition brings both nostalgia and liveliness to the intricate dance between instruments, inviting listeners to feel the vibrancy of the tango.