Fabrice Knecht Tango DJ

La cumparsita

La cumparsita is a Tango written by Gerardo Matos Rodriguez and recorded by Miguel Caló in 1964. Miguel Caló has recorded La cumparsita as an instrumental Tango.
“La Cumparsita,” translated as “The Little Parade,” captures the essence of fleeting moments and ephemeral gatherings. This iconic tango, with its melancholic melody and haunting rhythm, paints a picture of life’s transient celebrations, filled with passion and nostalgia. Through its notes, it tells a story of love, loss, and the inevitable passage of time.

Tango

Style

Miguel Caló

Orchestra

Instrumental

Singer

Gerardo Matos Rodriguez

Author

Gerardo Matos Rodriguez

Composer

1964/4/24

Date

Instrumental
Instrumental
Miguel Caló
Miguel Caló

Discover Other Orchestras

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La cumparsita recorded by other Orchestras

La cumparsita recorded by other Orchestras

La cumparsita – 1943/11/5 – Anibal Troilo – Instrumental
La cumparsita – 1942/11/12 – Carlos di Sarli – Instrumental
La cumparsita – 1951/7/16 – Carlos di Sarli – Instrumental
La cumparsita – (unknown date) – Anibal Troilo – Instrumental
La cumparsita – 1955/6/20 – Carlos di Sarli – Instrumental
La cumparsita – 1963/4/9 – Anibal Troilo – Instrumental
La cumparsita – 1937/12/14 – Juan D-Arienzo – Instrumental
La cumparsita – 1951/9/12 – Juan D-Arienzo – Instrumental
La cumparsita – 1943/11/23 – Juan D-Arienzo – Instrumental
La cumparsita – 1968/9/11 – Cuarteto Anibal TROILO – Instrumental
La cumparsita – 1963/12/10 – Juan D-Arienzo – Instrumental
La cumparsita – 1971/12/7 – Juan D-Arienzo – Instrumental
La cumparsita – 2015/1/1 – Juan D-Arienzo – Instrumental
La cumparsita – 1946/2/8 – Angel d-Agostino – Angel Vargas
La cumparsita – 1964/4/24 – Miguel Calo – Instrumental
La cumparsita – 1927/5/3 – Osvaldo Fresedo – Instrumental
La cumparsita – 1943/6/28 – Osvaldo Fresedo – Instrumental
La cumparsita – 1979/10/30 – Osvaldo Fresedo – Instrumental
La cumparsita – 1926/11/7 – Pedro Laurenz – Instrumental
La cumparsita – 1953/9/22 – Pedro Laurenz – Instrumental
La cumparsita – 1942/9/10 – Rodolfo Biagi – Instrumental
La cumparsita – 1940/11/18 – Ricardo Tanturi – Instrumental
La cumparsita – 1935/5/6 – Edgardo Donato – Instrumental
La cumparsita – 1944/6/3 – Alfredo De Angelis – Nestor Rodi
La cumparsita – 1961/8/29 – Alfredo De Angelis – Instrumental
La cumparsita – 1953/1/22 – Enrique Rodriguez – Instrumental
La cumparsita – 1955/9/16 – Jose Basso – Instrumental
La cumparsita – 1956/7/26 – Jose Basso – Instrumental
La cumparsita – 1961/4/28 – Jose Basso – Instrumental
La cumparsita – 1983/1/1 – Jose Basso –
La cumparsita – 1968/5/2 – Hector Varela – Instrumental
La cumparsita – 1956/11/29 – Hector Varela – Instrumental
La cumparsita – 1954/11/25 – Hector Varela – Instrumental
La cumparsita – 1966/3/21 – Florindo Sassone – Instrumental
La cumparsita – 1973/1/1 – Florindo Sassone – Instrumental
La cumparsita – 1968/5/30 – Florindo Sassone – Instrumental
La cumparsita – 1957/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1951/1/1 – Astor Piazzolla – Instrumental
La cumparsita – 1950/5/17 – Osmar Maderna – Instrumental
La cumparsita – 1977/1/1 – Enrique Francini – Instrumental
La cumparsita – 1928/1/11 – Roberto Firpo – Instrumental
La cumparsita – 1917/1/1 – Roberto Firpo – Instrumental
La cumparsita – 1937/7/4 – Cuarteto Tipico Roberto Firpo – Instrumental
La cumparsita – 1973/1/1 – Francini-Pontier – Instrumental
La cumparsita – 1946/12/16 – Francini-Pontier – Alberto Podesta
La cumparsita – 1955/9/13 – Armando Pontier – Instrumental
La cumparsita – 211/12/1 – Horacio Salgan – Instrumental
La cumparsita – 1987/1/1 – Nuevo Quinteto Real (Horacio Salgan) – Instrumental
La cumparsita – 1930/1/1 – Julio De Caro – Instrumental
La cumparsita – 1926/5/12 – Orquesta Tipica Victor – Instrumental

Letra del Tango La cumparsita

La cumparsa

De miserias sin fin

Desfila

En torno de aquel ser

Enfermo

Que pronto ha de morir

De pena.

Por eso es que en su lecho

Solloza acongojado

Recordando el pasado

Que lo hace padecer…



Abandonó a su viejita

Que quedó desamparada,

Y loco de pasión

Ciego de amor

Corrió tras de su amada,

Que era linda, era hechicera

De lujuria era una flor,

Que burló su querer

Hasta que se cansó

Y por otro lo dejó…



Largo tiempo después

Cayó al hogar materno,

Para poder curar su enfermo

Y herido corazón…

Y supo

Que su viejita santa,

La que él había dejado

El invierno pasado

De frío se murió…



Hoy ya solo, abandonado

A lo triste de su suerte,

Ansioso espera a la muerte

Que bien pronto ha de llegar,

Y entre la triste frialdad

Que lenta invade el corazón,

Sintió la cruda sensación

De su maldad…



Entre sombras

Se le oye respirar

Sufriente,

Al que antes de morir

Sonríe

Porque una dulce paz

Le llega…

Sintió que desde el cielo

Su madrecita buena,

Mitigando sus penas

Sus culpas perdonó…!

English lyrics of the Tango "La cumparsita"

The procession

Of endless miseries

Parades

Around that being

Sick

Who will soon die

Of sorrow.

That’s why on his bed

He sobs distressed

Remembering the past

That causes him to suffer…

He left his old mother

Who was left helpless,

And mad with passion

Blind with love

He ran after his beloved,

Who was beautiful, was bewitching

A flower of lust,

She mocked his love

Until she got tired

And left him for another…

Long time after

He returned to the maternal home,

To heal his sick

And wounded heart…

And he knew

That his saintly little mother,

Whom he had left

Last winter

Died of cold…

Today, now alone, abandoned

To the sadness of his fate,

He anxiously waits for death

Which will soon arrive,

And amid the sad coldness

That slowly invades the heart,

He felt the harsh sensation

Of his wickedness…

Among shadows

He is heard breathing

Suffering,

To he who before dying

Smiles

Because a sweet peace

Reaches him…

He felt that from heaven

His good little mother,

Mitigating his pains

Forgave his faults…!

La cumparsita by Gerardo Matos Rodriguez

La cumparsita is a Tango written by Gerardo Matos Rodriguez and composed by Gerardo Matos Rodriguez.



Story behind the Tango La cumparsita

The lyrics of “La cumparsita” depict a somber narrative revolving around regret, abandonment, and ultimately, redemption. The protagonist reflects on his past deeds, predominantly his abandonment of his mother, and his follies in love, which led him to immense personal suffering and remorse. As he nears death, overshadowed by his miseries, he seeks comfort in the belief that his mother, from the heavens, has forgiven his transgressions, bestowing upon him a sense of peace.



Symbolism of La cumparsita

The central themes of “La cumparsita” are richly conveyed through its symbolic use of a “cumparsa,” which refers to a group or parade of carnival dancers. Here, it metaphorically represents a procession of endless miseries haunting the protagonist. The recurring themes of death, despair, and eventual peace weave through the narrative, painting a vivid picture of a man’s journey from a sorrowful past to a tranquil end. Key phrases such as “De miserias sin fin” (endless miseries) and “espera a la muerte” (awaits death) accentuate the protagonist’s fatalistic outlook and inner turmoil.



La cumparsita in historic Context

While “La cumparsita” has origins traced back to early 20th-century Uruguay, the emotional and thematic undertones resonate universally, particularly within the cultural tapestry of Latin America where themes of passion, tragedy, and familial bonds are predominant. The tango, inherently expressive and melancholic, serves as a profound medium for narrating tales of love, betrayal, and redemption. Recorded in 1964, during a period rich in political and social changes globally, the song echoes the persistent human conditions of regret and yearning for forgiveness.



Gerardo Matos Rodriguez

Gerardo Matos Rodriguez was a Uruguayan musician and composer, renowned primarily for his contribution to the Tango genre.