Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La Conciencia is a Tango written by Manuel Barros and composed by Emilio Balcarce.
The lyrics of “La Conciencia” explore the human tendency to dwell on the pain inflicted by others while conveniently forgetting one’s own misdeeds. The central figure is a man who laments the betrayal and wounds he has experienced, yet fails to acknowledge the pain he himself has caused. This poignant lyric reflects on self-awareness and the selective memory that often accompanies personal grievances.
The song uses vivid metaphors and expressions to delve deep into moral and philosophical concepts. The repeated phrase “¡Conciencia!…” symbolizes the inner voice of truth that dictates and reveals the true nature of a person’s actions, contrasted with mere words that can often disguise deeper motives. The idea that “La palabra es un disfraz” suggests that words are merely a facade, often hiding true intentions or feelings. This highlights a disconnect between one’s actions and their self-perception or societal expression.
Recorded in 1957 in Argentina, a time marked by political and social unrest, “La Conciencia” may also reflect broader societal issues. During this period, Argentina was grappling with the repercussions of Peronism and the Revolución Libertadora, which ousted President Juan Perón. Issues of betrayal, injustice, and national identity were pervasive, making the theme of inner moral conflict and public persona particularly resonant.
Known for his poignant lyrics, Manuel Barros was a significant figure in Argentine Tango, offering deep introspections into human emotions and societal observations through his works.