Fabrice Knecht Tango DJ

La clavada

La clavada is a Tango written by Ernesto Zambonini and recorded by Juan D’Arienzo in 1967. Juan D’Arienzo has recorded La clavada as an instrumental Tango.
“La Clavada,” which translates to “The Stab” in English, evokes a sense of piercing emotion and raw intensity. This tango dances on the edge of passion and heartache, a sharp twist of fate within each note and rhythm. The music captures the essence of life’s unexpected turns, leaving an indelible mark on the soul.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Ernesto Zambonini

Composer

1967/8/16

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Alfredo Gobbi – Un tango para Chaplin – 1956/6/30
Alfredo Gobbi – Amor de forastero – 1947/7/30
Alfredo Gobbi – El solitario – 1956/9/18
Alfredo Gobbi – Tropa – 1950/10/31
Alfredo Gobbi – La catrera – 1951/4/26
Alfredo De Angelis – Bajo Belgrano – 1949/4/20
Alfredo De Angelis – Hoy al recordarla – 1946/3/1
Alfredo De Angelis – Cabecita descocada – 1981/1/1
Alfredo De Angelis – Lágrimas de sangre – 1955/6/23
Alfredo De Angelis – Mi madre querida – 1971/9/8
Osvaldo Pugliese – Quinto año – 1985/12/26
Osvaldo Pugliese – Mi primer goal – 1968/12/1
Osvaldo Pugliese – Pata ancha – 1957/5/13
Osvaldo Pugliese – Carmen – 1965/11/1
Osvaldo Pugliese – Bien compadre – 1949/9/27
José Basso – El patio de la morocha – 1951/5/17
José Basso – Los mareados – 1952/12/11
José Basso – A la mujer argentina – 1956/7/26
José Basso – Corazón no le hagas caso – 1967/1/1
José Basso – Por qué la quise tanto – 1962/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La clavada recorded by other Orchestras

La clavada recorded by other Orchestras

1967/8/16 – La guitarrita – Juan D-Arienzo
1967/8/16 – El tamango – Juan D-Arienzo
1967/8/21 – De ayer y hoy – Juan D-Arienzo
1967/8/21 – El horizonte – Juan D-Arienzo
1967/8/21 – Sollozos – Juan D-Arienzo
La clavada – 1940/10/9 – Juan D-Arienzo – Instrumental
La clavada – 1967/8/16 – Juan D-Arienzo – Instrumental
La clavada – 1933/12/17 – Osvaldo Fresedo – Instrumental
La clavada – 1962/10/5 – Florindo Sassone – Instrumental
La clavada – 1963/1/1 – Horacio Salgan – Instrumental
La clavada – 1950/5/4 – Horacio Salgan – Instrumental

La clavada recorded by Juan D’Arienzo

La clavada is an instrumental Tango composed by Ernesto Zambonini.

Interpretation of La clavada

“La clavada,” which translates to “The Staple” or “The Stab” in English, suggests a sharp, incisive quality in its composition. As an instrumental tango, “La clavada” might evoke the sensation of precise and sudden movements, akin to a staple piercing through paper or a decisive stab. The piece could be characterized by its rhythmic intensity and dynamic contrasts, capturing the essence of tension and release that is inherent in tango music. The melody may weave through intricate patterns, creating a sense of urgency and confidence, reflecting the sharpness implied in its title.

Juan D’Arienzo and La clavada

Under the direction of Juan D’Arienzo, known as “El Rey del Compás” or “The King of the Beat,” the interpretation of “La clavada” by his orchestra would likely emphasize its rhythmic precision and electrifying tempo. D’Arienzo’s style often accentuated the beat and rhythmic drive of tango, making it exceptionally danceable. His rendition of “La clavada” would probably highlight the robust tempo, utilizing powerful staccato notes to mimic the sharpness of “The Staple,” while also inviting dancers to respond to its commanding presence on the dance floor.