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La clavada

La clavada is a Tango written by Ernesto Zambonini and recorded by Osvaldo Fresedo in 1933. Osvaldo Fresedo has recorded La clavada as an instrumental Tango.
“La Clavada,” translating to “The Stab” in English, carries an intense and poignant weight. This evocative title suggests a sudden, penetrating emotion, like the sharpness of a knife or the impact of an unseen betrayal. Through its melody, “La Clavada” paints a vivid portrait of passion intertwined with pain, each note echoing with the depth of longing and the resonance of unhealed wounds.

Tango

Style

Osvaldo Fresedo

Orchestra

Instrumental

Singer

Author

Ernesto Zambonini

Composer

1933/12/17

Date

Instrumental
Instrumental
Osvaldo Fresedo
Osvaldo Fresedo

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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La clavada recorded by other Orchestras

La clavada recorded by other Orchestras

La clavada recorded by Osvaldo Fresedo


La clavada is an instrumental Tango composed by Ernesto Zambonini.



Interpretation of La clavada

“La clavada,” translating to “The Jab” or “The Sting” in English, evokes imagery of sharp, sudden movements and unexpected twists, akin to the swift and precise movements characteristic of a skilled dancer or perhaps a fencing bout. As an instrumental piece played by Osvaldo Fresedo’s Tango Orchestra, it likely encapsulates the essence of a tango dance: an intricate blend of passionate rhythm, emotive melodies, and a sense of mounting intensity that grips the listener. The music might start with a subtle, teasing introduction, building anticipation, and gradually rising to sudden, piercing crescendos that mirror the ‘jab’ or ‘sting’ indicated by its title.



Osvaldo Fresedo and La clavada

Osvaldo Fresedo, a pivotal figure in the tango world, was known for his refined and elegant style, which could bring “La clavada” to life in a way that balances sophistication with the inherent drama of tango. His orchestra’s interpretation may emphasize the piece’s dynamic contrasts, using soft violins to introduce a sense of allure and mystery before the bandoneón commands attention with its signature melancholic and piercing notes. This could be followed by intricate piano melodies, maintaining a dance between tension and resolution, creating an experience both mesmerizing and unpredictable, much like the swift yet precise attack of a ‘clavada’.