La chiflada is a Tango written by Anselmo Aieta and recorded by Juan D’Arienzo in 1969. Juan D’Arienzo has recorded La chiflada as an instrumental Tango.
“La chiflada,” or “The Crazy One” in English, dances on the edge of madness with every note. This piece, whether instrumental or sung, captures the wild, unapologetic spirit of a soul that refuses to be tamed. It weaves a tapestry of frenetic rhythms and haunting melodies, inviting listeners to embrace the beauty of chaos and passion.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La chiflada is an instrumental Tango composed by Anselmo Aieta.
Interpretation of La chiflada
“La chiflada,” when translated from Spanish, means “The Crazy Woman” or “The Madwoman.” This instrumental tango captures the frenetic energy and whirlwind emotions embodied by such a title. The music starts with a captivating and vigorous rhythm led by the strong, characteristic beats of the bandoneón, mirroring the vivacious spirit of the title’s namesake. The violin sections interweave with moments of tension and flirtation, enhancing the tempestuous cadence. Quick, staccato notes from the piano mimic spontaneous bursts of madness, while the entire orchestra builds a rich tapestry of sound, embodying the essence of unpredictability and spirited improvisation.
Juan D’Arienzo and La chiflada
Renowned for his high-energy style, Juan D’Arienzo’s interpretation of “La chiflada” is vibrant and lively, paying homage to both the whimsical and frenetic nature suggested by its title. The driving tempo characteristic of D’Arienzo’s orchestra transforms the piece into an auditory whirlwind, engaging listeners with its invigorating pace and dynamic interplay between instruments.