Fabrice Knecht Tango DJ

La chiflada

La chiflada is a Tango written by Anselmo Aieta and recorded by Ángel d’Agostino in 1942. Ángel d’Agostino has recorded La chiflada as an instrumental Tango.
The piece titled “La Chiflada,” or “The Crazy One,” dances through the air with whimsical abandon. In its melody, it captures the essence of a spirited soul, unshackled by convention and gleefully unpredictable. A whirlwind of emotions and spontaneity, the music embodies a freedom that invites the listener to embrace life’s eccentricities with open arms.

Tango

Style

Ángel d'Agostino

Orchestra

Instrumental

Singer

Francisco García Jiménez

Author

Anselmo Aieta

Composer

1942/10/15

Date

Instrumental
Instrumental
Ángel d'Agostino
Ángel d’Agostino

Discover Other Orchestras

Edgardo Donato – A media luz – 1961/11/1
Edgardo Donato – Picaflor – 1935/7/3
Edgardo Donato – Buena yunta – 1930/1/1
Edgardo Donato – Dulce amiga – 1931/1/1
Edgardo Donato – Embrujo gitano – 1936/6/10
Horacio Salgán Y Dante Amicarelli – Ritmo fascinante (Vertigo ciudadano) – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Amarraditos – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Chiclana – 1971/1/1
Horacio Salgán Y Dante Amicarelli – La sombra de tu sonrisa (The shadow of your smile) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Pimienta – 1971/1/1
Ángel d’Agostino – Café Domínguez – 1955/8/16
Ángel d’Agostino – Menta y cedrón – 1945/7/17
Ángel d’Agostino – No creas – 1943/3/23
Ángel d’Agostino – Destellos – 1946/3/29
Ángel d’Agostino – Rosita la santiagueña – 1944/11/2
Carlos di Sarli – Porteña y nada más – 1952/7/22
Carlos di Sarli – Sos una fiera – 1929/7/11
Carlos di Sarli – Cuidado con los cincuenta – 1954/9/14
Carlos di Sarli – Dónde estás – (unknown date)
Carlos di Sarli – Cuatro vidas – 1952/6/10

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

La chiflada recorded by other Orchestras

La chiflada recorded by other Orchestras

1942/10/15 – De salto y carta – Angel d-Agostino
1942/10/20 – A mi dejame en mi barrio – Pedro Laurenz
1942/10/20 – Chatero de aquel entonces – Pedro Laurenz
1942/10/9 – La maleva – Anibal Troilo
1942/10/9 – Jamas retornaras – Miguel Calo
La chiflada – 1969/9/18 – Juan D-Arienzo – Instrumental
La chiflada – 1942/10/15 – Angel d-Agostino – Instrumental
La chiflada – 1945/7/30 – Astor Piazzolla – Instrumental
La chiflada – 1927/10/6 – Roberto Firpo – Instrumental

La chiflada recorded by Ángel D’agostino


La chiflada is an instrumental Tango composed by Anselmo Aieta.



Interpretation of La chiflada

La chiflada translates to “The Crazy One” in English. As a piece of instrumental music, “La chiflada” exudes an effervescent and whimsical character, capturing the lively and unpredictable nature suggested by its title. The composition breathes the spirited and capricious dance of a person lost in their passionate reveries, in a vivid embrace with the swirling notes of tango. It creates an auditory tapestry where the playful dynamics fluctuate between crescendos and diminuendos, mirroring the emotional highs and lows of someone delightfully detached from convention. The lively rhythms and expressive melodies provide a dance that is both thrilling and liberating, grounding the listener in an exhilarating experience while simultaneously transporting them to another world of fancy.

Ángel D’agostino and La chiflada

Ángel D’agostino, known for his profound influence on the tango orchestra scene, brings “La chiflada” to life with an unparalleled mastery. His orchestra imparts a distinctive elegance and energy to the composition, elevating its playful nature through refined execution and a deep understanding of tango’s emotive power. With D’agostino’s leadership, the orchestra navigates the spirited whims of the piece with precision and flair, ensuring “La chiflada” resonates with both tango aficionados and newcomers alike. The D’agostino version captures a sense of authenticity and fervor that enriches the listener’s experience, drawing them into the heartfelt world of tango’s vibrancy and spontaneity.