Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La chacarera is a Tango written by Juan Andrés Caruso and composed by José Servidio.
La chacarera unfolds as a lyrical appeal, where the persona expresses deep affection and longing towards a beloved, referred to as “chacarera.” This term, while traditionally denoting a folk dance, is personified here, representing an unattainable love. The repeated pleas for reciprocation and the gentle chiding for the beloved’s indifference paint a vivid picture of unrequited love. The vivid imagery of the countryside and the simplicity of rural life form the backdrop of this emotional appeal.
The symbolism in “La chacarera” is rich and ties closely to nature. The beloved is often described in comparison with natural elements—referred to as “chacarerita vaporosa,” likening her to a misty presence in the fields, or akin to a butterfly among the flowers. Such imagery enhances the ethereal and elusive quality of the beloved. The frequent invocation of ‘flowers’ and ‘fields’ not only underlines the rural setting but also symbolizes growth, beauty, and naturalness, further romanticizing the figure of the shy, beautiful woman who captivates the singer’s heart.
Created in Argentina in 1931, “La chacarera” comes from a period rich in cultural and political shifts. During this time, Argentine tango was evolving, reflecting deeper social narratives. The pastoral theme in the lyrics perhaps serves as a nostalgic reflection for simpler, rural life amidst the growing urbanization in Argentina. This tango, by romanticizing traditional rural settings, could be seen as a subtle commentary on the rapid modernization of the society.
Juan Andrés Caruso was a prolific Argentine lyricist renowned for his contribution to the tango genre, penning lyrics that often explored themes of love, sorrow, and societal reflections.