La catrera is a Tango written by Arturo De Bassi and recorded by Juan D’Arienzo in 1963. Juan D’Arienzo has recorded La catrera as an instrumental Tango.
“La Catrera,” which translates to “The Fencing Master” in English, evokes an intricate dance of tension and elegance. The music unfurls like a duel, each note a swift and precise parry, each pause a deliberate breath before the next strike. It’s a tango of passion and prowess, where every melody embodies the artful balance of grace and confrontation.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La catrera is an instrumental Tango composed by Arturo De Bassi.
Interpretation of La catrera
“La catrera” takes its name from a colloquial term in Argentine Spanish that refers to a ‘prison cell.’ As an instrumental tango, it captures the essence of intrigue and intensity, weaving a tale of confinement and the struggles within. The music likely evokes images of hidden stories and unspoken feelings behind the prison walls. With its characteristic rhythm and dramatic flair, typical of D’Arienzo’s interpretations, “La catrera” transports listeners to a world filled with passion, tension, and an undercurrent of yearning for freedom.
Juan D’Arienzo and La catrera
Known as the “King of the Beat,” Juan D’Arienzo’s orchestral style is marked by its emphasis on a strong, lively tempo, making his versions ideal for dancers. With “La catrera,” D’Arienzo brings to life De Bassi’s composition with his signature vibrant energy and precise rhythmical expression. His bandoneonist and string ensemble would bring out the layers of emotion that De Bassi envisioned, offering a performance that is both engaging and evocative, capturing the unique spirit of traditional tango music.