La bordona is a Tango written by Emilio Balcarce and recorded by Aníbal Troilo in 1963. Aníbal Troilo has recorded La bordona as an instrumental Tango.
“La bordona,” or “The Bass String,” resonates with a deep, rhythmic heart that binds the dance of tango. In its low thrum, a story unfolds, evoking emotions that entwine lovers’ footsteps under dimly lit ballrooms. The bass string’s voice sings of connection, grounding the dancers while the melody whispers tales of passion and longing through each captivating note.
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La bordona is an instrumental Tango composed by Emilio Balcarce.
Interpretation of La bordona
“La bordona,” translated to English, means “The Bass String.” As its name suggests, this tango piece could evoke images of a deep and resonant blend of musical expressions, much like a bass string’s rich and sonorous vibrations. The composition might focus on the interplay of lower range instruments, such as the double bass and the bandoneon, creating an underpinning rhythmic pattern that drives the melody forward.
The music begins with a slow, reflective tone, establishing a melancholic yet engaging atmosphere. It gradually unfolds into more dynamic phrases, perhaps highlighting the crisp flourishes of the piano and the sweeping phrasing of violins, reminiscent of the traditional tango that brings dancers to the floor. Throughout the piece, the persistent thrum of the ‘bordonas’ (bass strings) might serve as a guiding heartbeat, maintaining the essence of tango while allowing each instrument its spotlighted interplay.
Aníbal Troilo and La bordona
Aníbal Troilo, renowned for his profound influence on tango music, brings his unique artistry to “La bordona.” His orchestra’s interpretation likely emphasizes the emotive power and complexity of this composition, presenting it with both technical skill and emotional depth. Troilo, a master of the bandoneon, would naturally spotlight this instrument, weaving its expressive voice through the texture. The orchestra’s performance under his direction promises to maintain the intensity and passion for which tango is celebrated, particularly highlighting the rich, grounding tones suggested by the piece’s title.