Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
La abandoné y no sabía is a Tango written by José Canet and composed by José Canet.
At its core, “La abandoné y no sabía” reveals a poignant tale of regret and realization. The lyrical protagonist relays the remorse felt after leaving a loved one, not understanding at the time how profound his feelings were. This realization comes too late, as upon deciding to return, he finds that she is unreachable. This narrative of love, loss, and lament is emblematic of classic tango themes, provoking deep emotional reflections through its storytelling.
The tango uses vibrant symbols such as gold and silver to link the richness of musical heritage to the emotional tapestry of the singer’s life. The sonorous strains of bandoneones symbolize the birth and life of the tango, framing it as an entity born from suffering. Key phrases such as “siento más cerca la muerte” (“I feel closer to death”) and “acunado entre los sones” (“cradled among the sounds”) express deep-rooted connections between music, dance, and existential sentiment.
Created in Argentina in 1944, amidst global and national upheavals, “La abandoné y no sabía” captures a prevailing sense of uncertainty and melancholy. During this era, tango often reflected societal anxieties and personal despair. The cultural significance of the tango as a form of emotional expression provided a backdrop for addressing intimate matters against broader societal troubles. The emotional dislocation expressed in the tango mirrors the turmoil of the times.
José Canet was an Argentine tango musician renowned for his poignant compositions that deeply resonated with the heartstrings of his audience.