Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Justo un año is a Tango written by Miguel Bucino and composed by Miguel Bucino.
“Justo un año” translates into English as “Exactly One Year.” The lyrics reflect a somber narrative of regret and lament over a marriage that took place exactly one year ago. Miguel Bucino crafts a tale of a woman who seems to have been forced into a loveless and oppressive marriage, as indicated by phrases like “you’ve been his slave” and “he’s your despotic and cruel owner.” The retrospective nature speaks to a moment of reckoning or remembrance on the anniversary of a day that changed the life course of the woman involved.
The most striking use of symbolism in “Justo un año” is the contrast between the wedding ring and the slave bracelet, which Bucino refers to with “O es que ignoras que allí en el tobillo, las esclavas lo deben llevar.” This symbolizes bondage rather than the mutual commitment typically symbolized by a ring. The imagery of a person being more a slave than a spouse underlines the darkest aspects of the transactional and oppressive structures often involved in relationships that are tied more to materialism and coercive control than to love and equality.
Recorded in 1958 in Argentina, “Justo un año” appeared during a vibrant yet tumultuous era in Argentine history, a time marked by political strife and social changes. During this period, machismo was entrenched culturally, often reflecting in music. The tango, traditionally seen as a dance of passion and emotional depth, here becomes a channel for critiquing aspects of societal norms—specifically, the commodification of marital relationships and the objectification of women. Such a critical stance would resonate with an audience possibly experiencing or witnessing similar social dynamics.
Miguel Bucino was an influential figure in the Tango genre, both as a composer and lyricist, whose works often captured the complexity of human emotions and societal critiques.