Fabrice Knecht Tango DJ

Joaquina

Joaquina is a Tango written by Juan Bergamino and recorded by Juan D’Arienzo in 1935. Juan D’Arienzo has recorded Joaquina as an instrumental Tango.
“Joaquina,” or “Little Jewel” in English, dances gracefully through the air as a tender melody. The name reflects a sparkling essence, capturing the spirit of something precious and rare. This piece of music, like a hidden gem, invites listeners to discover the beauty of fleeting moments, painting them with colors of nostalgia and longing.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Juan Bergamino

Composer

1935/12/12

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Joaquina recorded by other Orchestras

Joaquina recorded by other Orchestras

Joaquina recorded by Juan D’Arienzo

Joaquina is an instrumental Tango composed by Juan Bergamino.

Interpretation of Joaquina

The piece “Joaquina,” bearing a name that translates to a sophisticated elegance, captures the essence of early 20th-century tango with its rhythmic energy and soulful melodies. The name “Joaquina” suggests a persona both regal and mysterious, reflected in the music’s dynamic progressions and emotive sweeps. The violin strings speak in a romantic language, painting graceful curves in the air, while the bandoneón’s honest cries articulate the heart’s deepest yearnings. Pulsing double bass lines provide a robust foundation, anchoring the swift dance steps and spinning figures implied by the melody. Energetic yet nuanced, “Joaquina” delivers a vivid narrative without words, allowing listeners to imagine the elegant character behind the name.

Juan D’Arienzo and Joaquina

Juan D’Arienzo, known as “El Rey del Compás” (The King of the Beat), infuses “Joaquina” with a unique vitality characteristic of his orchestra’s style. His interpretation emphasizes sharp, staccato rhythms that drive the piece forward, echoing the bustling streets of Buenos Aires where tango thrived. D’Arienzo’s meticulous attention to tempo transforms the composition into a danceable masterpiece, maintaining an infectious liveliness that keeps dancers on their toes. He highlights the contrasts between the playful and the dramatic, ensuring each note serves to captivate and enchant the audience, true to the spirit of “Joaquina.” Under his direction, the orchestra elevates Bergamino’s creation into an enduring contribution to the tango repertoire.