Fabrice Knecht Tango DJ

Jarangon

Jarangon is a Marcha written by and recorded by Enrique Rodríguez in 1939. The Marcha Jarangon is written by , Enrique Rodríguez has recorded Jarangon with the singer Roberto Flores.
“Jarangon” translates to “Big Ruckus” in English, capturing a whirlwind of emotions within its passionate notes. This piece embodies the chaos of clashing hearts, where each note is a flurry of movement in a crowded dance hall. The rhythm tells tales of vibrant life, inviting listeners to get swept up in its spirited embrace, embracing the cacophony with joy.

Marcha

Style

Enrique Rodríguez

Orchestra

Roberto Flores

Singer

Author

Composer

1939/2/24

Date

Roberto Flores
Roberto Flores
Enrique Rodríguez
Enrique Rodríguez

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Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1939/2/24 – Son cosas del bandoneon – Enrique Rodriguez
1939/3/3 – Meta fierro – Juan D-Arienzo
1939/3/3 – Dos guitas – Juan D-Arienzo
1939/3/3 – El esquinazo – Cuarteto Tipico Roberto Firpo
1939/3/6 – De punta a punta – Edgardo Donato

Lyrics Translation of the Marcha Jarangon

This is the translation of the Marcha “Jarangon” from Spanish to English. The English lyrics of the Marcha “Jarangon” have been done with AI.

Jarangon recorded by Enrique Rodríguez


Jarangon is an instrumental Tango composed by .



Interpretation of Jarangon

The instrumental piece “Jarangon” can be interpreted as a dynamic and expressive tango composition, capturing the essence of 1930s Buenos Aires. Its music could evoke images of elegant dancers moving with passion and precision, as each instrumental layer intertwines to create a lively and heartfelt performance. The rhythm section might provide a steady foundation that allows melodies to soar and evoke emotions of longing and nostalgia. “Jarangon” likely reflects a complex tapestry of sound, weaving together the traditional and the innovative, igniting the spirit of tango in the hearts of its listeners.



Enrique Rodríguez and Jarangon

Enrique Rodríguez, known for his distinct approach to tango, brings “Jarangon” to life with his orchestra’s signature style. His interpretation of this instrumental piece might be characterized by seamless transitions and a blend of various instrumental voices, including the bandoneón, piano, and violins. Rodríguez’s version of “Jarangon” would undoubtedly carry the creative spirit and embodiment of tango music of that era, marking its significance in the rich culture of Argentine tango. As a 1939 composition, it also represents a time where tango orchestras were experimenting and evolving, making “Jarangon” a testament to Rodríguez’s artistry.