Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Isabelita is a Tango written by Manuel Romero and composed by Rodolfo Sciammarella.
The tango “Isabelita” paints a picture of a woman named Isabel, who walks through Florida street every day at five, exuding elegance and grace. Despite the attention she garners, with many seeking her affection, she seems untouched by their advances. She is portrayed as a heartbreaking figure in search of genuine love, an aspiration yet unfulfilled.
The recurrent passage through Florida street might symbolize the monotony and unchangeable aspects of Isabel’s quest for love. Words like “la calle palpita,” and “la gente se agita” emphasize the impact of her presence on the masses, while her own “gran dolor” signifies a painful inner void. Isabelita herself can be viewed as a metaphor for unattainable beauty or the ideal yet unreachable love.
The tango was recorded in 1940 in Argentina, a time when tango music often reflected the emotional and social realities of its era. Women’s social roles were evolving, yet the romantic and often melancholic themes in tango persisted. Isabelita’s portrayal as a sought-after yet unfulfilled woman could be reflective of the contemporary societal norms and gender expectations in Argentina during that period. The song creates a narrative that is at once captivating and emblematic of broader cultural dynamics.
Manuel Romero was a prolific Argentine playwright, filmmaker, and lyricist, known for his significant contributions to the Golden Age of Argentine cinema.