Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Infamia is a Tango written by Enrique Santos Discepolo and composed by Enrique Santos Discepolo.
“Infamia” explores themes of pain, societal judgment, love, and despair. Discepolo delves into the narrative of a love scorned and shamed by public opinion. The song reflects the struggle against relentless societal forces that tarnish personal reputations and relationships. The protagonist recounts experiences of love not trusted by society because of his partner’s past, the public’s brutal torment, and ultimately, their demise influenced by this societal condemnation.
The symbolism in “Infamia” is poignant. References to characters becoming ‘puppets’ in society’s brutal show highlights the dehumanization faced by individuals when publicly scrutinized. Terms like “muñeca de amor” (doll of love) symbolize fragile innocence and societal playthings, and the contrast of purity envisioned in a ‘white’ death (dressed as a bride) versus the darkness of societal disdain underscores a heartbreaking journey from hope to despair. Discepolo effectively captures the pain of unfulfilled dreams through such stark imagery.
Written and recorded in 1941, Argentina was experiencing significant transformations, with political tensions and evolving societal norms. This period also saw the rise of tango as a voice of the people, often revealing the darker, more emotive undercurrents of society. “Infamia” taps into these sentiments, using the tango as a vehicle to critique the harshness of societal judgments and the impacts of public reputation on personal lives. This song can be seen as an emotional reflection on the broader societal cruelties of the time.
Enrique Santos Discepolo was an influential Argentine tango and milonga musician and composer, known for his profound and socially reflective lyrics.