Fabrice Knecht Tango DJ

Homero

Homero is a Tango written by Roberto Firpo and recorded by Juan D’Arienzo in 1954. Juan D’Arienzo has recorded Homero as an instrumental Tango.
“Homero,” meaning “Homer” in English, captures the essence of ancient storytelling sung through the timeless rhythm of a Tango. As the music weaves through its melodies, it evokes the grandeur and epic journeys akin to its legendary namesake. This piece transcends time, celebrating the profound narratives that dance between memory and imagination.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1954/12/10

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

Armando Pontier – Locura locura – 1961/6/8
Armando Pontier – Tinta verde – 1966/12/23
Armando Pontier – Tarzán carrizo – 1963/1/1
Armando Pontier – Mariposita – 1979/5/22
Armando Pontier – Araca París – 1960/4/28
Nuevo Quinteto Real (Horacio Salgán) – La puñalada – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Desvelo (De flor en flor) – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Homenaje a Pedro Laurenz – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – Vida mía – 1987/1/1
Nuevo Quinteto Real (Horacio Salgán) – El motivo (Pobre paica) – 1987/1/1
Aníbal Troilo – Milonga que peina canas – (unknown date)
Aníbal Troilo – Soledad la de barracas – 1945/6/28
Aníbal Troilo – Te llaman Malevo – 1957/7/10
Aníbal Troilo – Desencuentro – 1963/6/5
Aníbal Troilo – Tanguistoria – 1968/12/4
Juan D’Arienzo – Adiós pampa mía – 1960/6/13
Juan D’Arienzo – Aparcero – 1945/4/17
Juan D’Arienzo – Yo no sé que me han hecho tus ojos – 1965/8/12
Juan D’Arienzo – La racha – 1967/8/2
Juan D’Arienzo – El buey solo – 1967/10/23

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Homero recorded by other Orchestras

Homero recorded by other Orchestras

1954/12/10 – El marne – Juan D-Arienzo
1954/12/10 – El irresistible – Juan D-Arienzo
1954/12/10 – Pampa – Juan D-Arienzo
1954/12/10 – El internado – Juan D-Arienzo
1954/12/10 – Don Pacifico – Juan D-Arienzo
Homero – 1937/4/27 – Juan D-Arienzo – Instrumental
Homero – 1954/12/10 – Juan D-Arienzo – Instrumental
Homero – 1950/5/15 – Juan D-Arienzo – Instrumental
Homero – 1936/10/19 – Roberto Firpo – Instrumental

Homero recorded by Juan D’Arienzo

Homero is an instrumental Tango composed by Roberto Firpo.

Interpretation of Homero

“Homero,” translating to “Homer” in English, evokes a sense of storytelling and epic narrative often associated with the renowned poet. In its instrumental form, the piece performed by D’Arienzo’s orchestra captures the essence of grand tales and timeless journeys, embodying an adventurous spirit through its dynamic and emotive phrasing. The sweeping melodies and rhythmic precision mirror the balance between passion and control, characteristic of both the stories told by Homer and the distinctive Tango style.

Juan D’Arienzo and Homero

Juan D’Arienzo, known as “El Rey del Compás,” or “The King of the Beat,” brings his energetic and refined style to the interpretation of “Homero.” His orchestra’s rendition accentuates vigorous and punctuated beats, reminiscent of marching forward into the epic chapters of life, drawing dancers and listeners into a captivating experience that echoes the storytelling tradition of its namesake. Through D’Arienzo’s interpretation, “Homero” becomes a vivid auditory journey, resonating with both past grandeur and present emotion.