Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Hermana is a Tango written by Astor Piazzolla, a renowned Argentine tango composer and bandoneon player. Composed in 1946, the song delves into themes of loss, remembrance, and familial relationships.
‘Hermana’, translating to ‘Sister’ in English, is a poignant reflection on the relationship and emotions surrounding the absence of a sister. The lyrics narrate a story of someone who silently endured her circumstances, whose voice and personal sufferings were neither acknowledged nor expressed outwardly. The song portrays the quiet, internal world of the sister, contrasted by the external acknowledgment of her absence only after her passing.
The recurring motif of a song “calling” the sister signifies the inevitable pull of her destiny, something unseen and unheard by others until it’s too late. The window and embroidery frame, mentioned repeatedly, symbolize her unchanging, static life—a life limited to observing the world passively from her window and an existence constrained within the domestic sphere. Astor Piazzolla uses these symbols to reflect on the unvoiced, unnoticed lives of many, highlighting a universal theme of silent endurance amid adversity.
Recorded in 1946, “Hermana” emerges in post-World War II Argentina, a period marked by significant political and social changes. This era saw the rise of Juan Domingo Perón and the subsequent social reforms aimed at empowering the working class. The tango, a dance form rooted deeply in the Argentine identity, serves as a medium for expressing the nuanced hardships and emotional solitudes experienced by ordinary people during tumultuous times.
Astor Piazzolla was a legendary figure in tango music, known for revolutionizing the traditional tango into a new style termed nuevo tango, incorporating elements from jazz and classical music.