Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Guardia vieja is a Tango written by José De Grandis and composed by Julio De Caro.
The lyrics of “Guardia vieja” share a deeply introspective and somber narrative, highlighting a journey of both literal and emotional transition. The personages depicted recount their movement towards oblivion (‘olvido’), burdened with cherished yet painful memories that they cannot forget. This scenario may suggest a realization and mourning of lost youth, joy, and a lifestyle once lived but no longer accessible. The phrase “con mi bagayo de penas voy rumbo p’al olvido” translates to carrying one’s sorrows towards forgetfulness, symbolizing an attempt to escape from lingering emotional pain through forgetfulness.
The symbolic use of contrasts between joyous past experiences and painful current realities plays a large role in the emotional depth of “Guardia vieja.” Expressions of times filled with “farras y orgías” (celebrations and excesses) signify a vibrant life that has now faded into lonely, tragic hours (“horas trágicas”). Further symbolism is evident in the transformation from a ‘bacán’ (a term for someone wealthy or influential) to ‘pato’ (slang for broke or down-on-luck), illustrating a fall from grace and a loss of respect as “el amigo insolente que el saludo me negó” — the insolent friend who now refuses to greet him. This highlights themes of betrayal and social isolation.
Historically, “Guardia vieja” was created in an era when Tango was increasingly becoming a reflection of urban life in early 20th century Argentina. Given its 1926 timing, the tango addresses not just personal loss but also broader social changes. During this period, Argentina was experiencing significant shifts due in part to immigration and urbanization, which might have influenced the song’s themes of nostalgia and social alienation. This period reflects a tug between holding onto the past (‘Guardia vieja’ translates to ‘Old Guard’) and facing the inevitable modernity encroaching upon traditional values and lifestyles.
José De Grandis was an Argentine lyricist known for his contributions to the tango genre, pairing poignant emotional narratives with the vibrant, complex rhythms of the music.