Fabrice Knecht Tango DJ

Gran muñeca

Gran muñeca is a Tango written by Alfredo Bevilacqua and recorded by Cuarteto Típico Roberto Firpo in 1941. Cuarteto Típico Roberto Firpo has recorded Gran muñeca as an instrumental Tango.
“Gran muñeca,” meaning “Great Doll” in English, is a vivid evocation of elegance and grace. This title suggests a figure both enchanting and complex, an embodiment of beauty that captivates and commands attention. Through its melodies, the piece unfolds the story of sophistication, yet leaves hints of mystery in the eyes of its delicate muse.

Tango

Style

Cuarteto Típico Roberto Firpo

Orchestra

Instrumental

Singer

Author

Alfredo Bevilacqua

Composer

1941/1/8

Date

Instrumental
Instrumental
Cuarteto Típico Roberto Firpo
Cuarteto Típico Roberto Firpo

Discover Other Orchestras

Pedro Laurenz – De puro guapo – 1940/1/25
Pedro Laurenz – A mi dejame en mi barrio – 1942/10/20
Pedro Laurenz – Firuletear de bandoneon – 1942/12/2
Pedro Laurenz – Patria mia – 1943/7/15
Pedro Laurenz – Piedad – 1946/9/30
Ricardo Tanturi – Tango – 1942/7/20
Ricardo Tanturi – Cuando llora la milonga – 1950/8/16
Ricardo Tanturi – Cuatro compases – 1942/11/4
Ricardo Tanturi – Comparsa criolla (Comme il faut) – 1941/6/16
Ricardo Tanturi – Anselmo Laguna – 1945/6/14
Ricardo Malerba – La morena de mi copla – 1961/1/1
Ricardo Malerba – Siglo veinte – 1945/4/4
Ricardo Malerba – Ropa blanca – 1943/4/12
Ricardo Malerba – Linda – 1956/9/13
Ricardo Malerba – Charamusca – 1943/8/16
José De Alto (Dir. José Basso) – Rosicler – 1959/9/14
José De Alto (Dir. José Basso) – Nunca tuvo novio – 1959/9/14
José De Alto (Dir. José Basso) – Yo no sé por qué te quiero – 1959/9/14
José De Alto (Dir. José Basso) – Milonguita (Esthercita) – 1959/9/14

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Gran muñeca recorded by other Orchestras

Gran muñeca recorded by other Orchestras

1941/1/8 – El buey solo – Ricardo Tanturi
1941/1/8 – Recuerdo (2) – Ricardo Tanturi
1941/1/8 – Con cual sera – Roberto Firpo
1941/1/8 – El talento – Roberto Firpo
1941/1/8 – El tapial – Cuarteto Tipico Roberto Firpo
Gran muneca – 1943/12/5 – Angel d-Agostino – Instrumental
Gran muneca – 1959/9/7 – Hector Varela – Instrumental
Gran muneca – 1941/1/8 – Cuarteto Tipico Roberto Firpo – Instrumental

Gran muñeca recorded by Cuarteto Típico Roberto Firpo


Gran muñeca is an instrumental Tango composed by Alfredo Bevilacqua.



Interpretation of Gran muñeca

“Gran muñeca,” translated to English means “Great Doll.” As an instrumental tango, it can evoke the image of something elegant yet slightly distant, much like how a doll represents a beautiful yet lifeless figure. The music likely embodies a dance that is both graceful and intricate, capturing the essence of a grand figure in its melodies and rhythms. Through the passionate and dramatic tones typical of tango music, Alfredo Bevilacqua’s composition might convey a story of unattainable allure, emphasizing the charm and poise that the title implies.



Cuarteto Típico Roberto Firpo and Gran muñeca

The Cuarteto Típico Roberto Firpo, with its classic formation and profound understanding of traditional tango music, brings “Gran muñeca” to life through its distinctive sound. Known for their precise yet emotive performances, they would highlight the intricate dance between the instruments, perhaps allowing the violin to express the delicate and refined aspects of the “Great Doll,” while the bandoneón provides the heartbeat of passion. This interpretation by Firpo’s orchestra not only showcases their technical skills but also pays homage to the rich cultural and emotional layers embedded within Alfredo Bevilacqua’s composition.



Partner Page: creativeengineering.pro