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Gotas de veneno

Gotas de veneno is a Tango written by Alberto Tavarozzi and recorded by Juan D’Arienzo in 1969. The Tango Gotas de veneno is written by Alberto Tavarozzi, Juan D’Arienzo has recorded Gotas de veneno with the singer Armando Laborde.
“Gotas de Veneno,” or “Drops of Poison,” weaves a haunting melody that whispers of love’s bittersweet allure. Each note drips with the intoxicating mix of passion and heartache, capturing the essence of desire that both seduces and wounds. The music dances like a tango of shadows, where longing and betrayal entwine in a perilous embrace.

Tango

Style

Juan D'Arienzo

Orchestra

Armando Laborde

Singer

Author

Alberto Tavarozzi

Composer

1969/8/12

Date

Armando Laborde
Armando Laborde
Juan D'Arienzo
Juan D’Arienzo

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Lyrics Translation of the Tango Gotas de veneno

This is the translation of the Tango “Gotas de veneno” from Spanish to English. The English lyrics of the Tango “Gotas de veneno” have been done with AI.

Gotas de veneno recorded by Juan D’Arienzo


Gotas de veneno is an instrumental Tango composed by Alberto Tavarozzi.



Interpretation of Gotas de veneno

“Gotas de veneno,” translating to “Drops of Poison” in English, suggests a hauntingly beautiful and slightly menacing piece of music. The title evokes imagery of small, potent droplets that might signify a gradual build-up of tension or emotional intensity. In a tango context, this could manifest as a slow and deliberate melody that winds its way through the piece, punctuated by sharp, piercing notes representing the ‘poisonous’ elements. The music may have an undercurrent of seduction and danger, with the rhythmic pulse of the tango providing a foundation for these evocative elements.



Juan D’Arienzo and Gotas de veneno

Under the baton of Juan D’Arienzo, “Gotas de veneno” would likely be infused with the orchestral style that he was renowned for: vibrant, rhythmic, and dynamic. Known as the “King of the Beat,” D’Arienzo’s interpretation might emphasize the energetic and dramatic aspects of the composition. The piece would likely feature brisk tempos and sharp, staccato phrasing, adding a sense of urgency and intensity to the music. D’Arienzo’s orchestra would skillfully navigate the contrasting emotions suggested by the title, ensuring that the ‘drops of poison’ drip with both elegance and intensity.