Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Gloria is a Tango written by Armando Tagini and composed by Humberto Canaro.
“Gloria” narrates an encounter where an older man, presumably wealthy and pretending to offer grand things, attempts to woo a young woman with insincere declarations of love. The woman, wise to his tricks, outright rejects him, advising him to live out his old age without resorting to such pretensions. Her stern refusal and wise counsels speak of a deep self-respect and awareness, contrasting starkly against the man’s shallow allurements.
The title itself, “Gloria,” can be interpreted as irony; the glory that the man believes he is offering is, in fact, something not glorious at all but rather pathetic and misplaced. This tango also symbolizes the clash between youthful integrity and the misguided, often sleazy approaches of those who try to leverage their wealth or status for affection. The admonition to “buy a comb and rid yourself of your delusions,” serves as a powerful symbolic gesture, urging the man to groom his inner self rather than continue in his deceitful ways.
Written and first recorded in 1956, “Gloria” captures a period in Argentina where societal norms and dynamics were rapidly changing. Post-World War II, Argentina was experiencing significant urbanization and a shift in gender roles. The tango, traditionally reflecting the emotional psyche of the Argentine populace, here mirrors this evolution through its lyrics that empower a woman to reject the commodification of her emotions.
Armando Tagini was an influential lyricist in the Argentine tango scene, recognized for his poignant and often socially reflective lyrics.