Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Garronero is a Tango written by J. Caride and composed by Juan D´Arienzo.
“Garronero” captures a vivid portrayal of a freeloader or moocher in Argentine society, exploring the protagonist’s cunning and opportunistic lifestyle. Through poignant and sometimes sarcastic lyrics, it tells the story of an individual who frequents social events like weddings or funerals, not out of respect or personal relationships, but in pursuit of free food and drinks. This individual’s manipulative behavior eventually leads to social alienation and a bleak outlook on life, as depicted in the narrative arc of the song.
The title “Garronero,” which translates to “freeloader” in English, is a key symbol throughout the tango. It epitomizes the main character’s approach to life, exploiting situations and people for personal gain. Phrases like “Seco, vivillo y mañero” manifest his dry, cunning, and skilled nature in manipulation, signifying his deep immersion in deceitful tactics. Moreover, the comparison to a “zángano del colmenar” (drone of the beehive) highlights his parasitic nature, contributing nothing but taking everything he can.
The song, created in 1960 Argentina, reflects a period of cultural and social shifts. Post-World War II, Argentina faced significant economic and political instability which perhaps nurtured a breed of opportunists like the one depicted in “Garronero.” Furthermore, the tango genre itself, often a reflection of the underbelly of Buenos Aires society, serves as a medium to critique and satirize the moral and social issues of the time, encapsulating the struggles of the average person in a transforming society.
J. Caride was an influential figure in the world of Tango, known for his poignant lyrics that often reflected societal issues.