Fabrice Knecht Tango DJ
Style
Orchestra
Singer
Author
Composer
Date
These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Gardel-Razzano (El morocho y el oriental) is a Tango written by Enrique Cadícamo and composed by Ángel D’Agostino.
The lyrics of “Gardel-Razzano (El morocho y el oriental)” vividly depict a nostalgic remembrance of a historical bar located at the intersection of Olavarría and Almirante Brown in Buenos Aires’s La Boca neighborhood, frequented by cattle dealers and site of spontaneous musical performances. The song recounts an evening when a duo, introduced by Cafieri and referred to as “El Morocho” (The Brunette, referring to Carlos Gardel) and “Pepe el Oriental” (José Razzano), enchanted the audience with their performances. These performances included lively exchanges and emotional renditions that captured the hearts of those present.
The tango uses vivid imagery and specific cultural references to evoke strong feelings of nostalgia and admiration for the golden age of tango in Buenos Aires. The reference to “El Morocho” and “El Oriental” symbolically represents the coming together of different cultural roots present in Argentina, enhancing the nation’s rich cultural tapestry through music. The “old café” symbolizes a melting pot of emotions, memories, and historical events, serving as a witness to countless personal and communal experiences. Moreover, the mention of specific songs like “A mi madre” and “La pastora” evokes a deep emotional resonance, reflecting the common human experiences of love, loss, and celebration.
Written and set around the mid-1940s, “Gardel-Razzano (El morocho y el oriental)” delves into the rich cultural and historical context of early 20th century Buenos Aires, particularly focusing on the 1910s. This period was essential for the development of tango, with figures such as Gardel and Razzano playing pivotal roles in popularizing the genre both in Argentina and internationally. The reference to the year “once” (1911) marks a significant time when tango was transitioning from the margins of society into mainstream cultural circles, heavily influencing the identity of Buenos Aires and its inhabitants.
Enrique Cadícamo was a prominent Argentine lyricist and poet, regarded as one of the key figures in the golden age of Argentine tango.