Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Fumando espero is a Tango written by and composed by Juan Viladomat.
“Fumando espero” portrays the longing and anticipation experienced by the narrator as she waits for her beloved. The act of smoking serves as a metaphorical bridge between her solitary moments and the passionate encounters she envisions. Through vibrant imagery and sensual language, the tango captures the intimate connection between waiting, desire, and the transcendent moments of love.
The smoke from a cigarette becomes a central symbol throughout the tango. It represents a refuge from reality, allowing the narrator to immerse herself in dreams and passions. Phrases like “dame el humo de tu boca” and “sintiendo ese calor del humo embriagador” emphasize the intoxicating nature of both the smoke and love, and how they can provoke a blissful escape. The “chaisse longue” evokes luxury and leisure, underscoring a sense of indulgence in both vices and emotions.
Composed in 1956 in Buenos Aires, Argentina, “Fumando espero” is firmly rooted in the cultural landscape of its time. Post-war society was grappling with rapid changes, yet tango remained a quintessential expression of Argentine identity. The lyrics reflect a period where glamour, romance, and a hint of nostalgia were interwoven with daily life. Smoking, a common and socially accepted habit in that era, serves as a metaphor for the complexity of longing, passion, and anticipation.
was an influential figure whose work in tango music contributed significantly to Argentine cultural and musical heritage. Known for collaborating with composer Juan Viladomat, his lyrics have captured the emotions and intricacies of love and longing.