Fabrice Knecht Tango DJ

Fuegos artificiales

Fuegos artificiales is a Tango written by Roberto Firpo and recorded by Florindo Sassone in 1970. Florindo Sassone has recorded Fuegos artificiales as an instrumental Tango.
“Fuegos Artificiales,” meaning “Fireworks” in English, is a captivating dance of sound and emotion. The music ignites the soul with bursts of vibrant colors and sparks of passion, reflecting the explosive beauty of fireworks cascading across a night sky. Each note is a dazzling display, painting a portrait of fleeting joy and spectacular wonder.

Tango

Style

Florindo Sassone

Orchestra

Instrumental

Singer

Author

Roberto Firpo

Composer

1970/4/16

Date

Instrumental
Instrumental
Florindo Sassone
Florindo Sassone

Discover Other Orchestras

Francisco Canaro – De Florida para abajo (Florida low down) – 1926/1/1
Francisco Canaro – Personita – 1925/1/1
Francisco Canaro – Mi marmita – 1926/1/1
Francisco Canaro – El ciruja – 1926/12/1
Francisco Canaro – La violetera – 1926/12/1
Adolfo Carabelli – No le quiero mirar – 1932/12/30
Adolfo Carabelli – Ya vendra el día – 1932/9/27
Adolfo Carabelli – Loco – 1932/9/9
Adolfo Carabelli – El mundo sigue al revés – 1934/1/1
Adolfo Carabelli – Tomala con soda – 1933/5/4
Lucio Demare – Sentimiento tanguero – 1956/1/1
Lucio Demare – Un tango guapo – 1942/4/14
Lucio Demare – Mas alla de mi rencor – 1945/6/11
Lucio Demare – Mañana zarpa un barco
Dandy – 1952/1/18
Lucio Demare – Preludio a mi noche triste
Mi noche triste – 1952/6/18
Quinteto Real (Horacio Salgán) – Buenos Aires – 1960/1/1
Quinteto Real (Horacio Salgán) – Canaro en París – 1960/1/1
Quinteto Real (Horacio Salgán) – Corralera – 1960/1/1
Quinteto Real (Horacio Salgán) – Ensueños – 1960/1/1
Quinteto Real (Horacio Salgán) – Mal de amores – 1960/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Fuegos artificiales recorded by other Orchestras

Fuegos artificiales recorded by other Orchestras

1970/4/16 – El chamuyo – Florindo Sassone
1970/4/16 – La cumparsita (Si supieras) – Florindo Sassone
1970/4/16 – Vida mia – Florindo Sassone
1970/4/14 – Entre suenos – Anibal Troilo
1970/4/14 – Mananitas de Montmartre – Anibal Troilo
Fuegos artificiales – (unknown date) – Anibal Troilo – Instrumental
Fuegos artificiales – 1941/2/26 – Juan D-Arienzo – Instrumental
Fuegos artificiales – 1954/12/17 – Edgardo Donato – Instrumental
Fuegos artificiales – 1969/7/10 – Alfredo De Angelis – Instrumental
Fuegos artificiales – 1957/4/8 – Hector Varela – Instrumental
Fuegos artificiales – 1970/4/16 – Florindo Sassone – Instrumental
Fuegos artificiales – 1928/5/31 – Roberto Firpo – Instrumental
Fuegos artificiales – 1927/1/1 – Roberto Firpo – Instrumental
Fuegos artificiales – 1938/1/4 – Roberto Firpo – Instrumental
Fuegos artificiales – 1956/7/31 – Armando Pontier – Instrumental
Fuegos artificiales – 1970/1/1 – Horacio Salgan Y Dante Amicarelli – Instrumental

Fuegos artificiales recorded by Florindo Sassone


Fuegos artificiales is an instrumental Tango composed by Roberto Firpo.



Interpretation of Fuegos artificiales

“Fuegos artificiales” translates to “Fireworks” in English, a title that evokes imagery of vibrant displays of light and color against the night sky. As an instrumental piece performed by the tango orchestra, it might be characterized by explosive, energetic melodies intertwined with moments of calm and anticipation, much like the bursts and pauses of a fireworks show. The music could convey a sense of festivity and excitement, mimicking the unpredictable and dynamic nature of fireworks through its arrangement and tempo.



Florindo Sassone and Fuegos artificiales

Florindo Sassone, known for his emotive and skillful tango interpretations, would likely bring “Fuegos artificiales” to life with a distinctive style, emphasizing both the dramatic and intricate nuances of the composition. His orchestra’s rich, full-bodied sound might highlight the contrasts within the piece—transitioning seamlessly from serene, reflective passages to bold, vibrant crescendos, capturing the spirit of a dazzling fireworks display in auditory form.