Fabrice Knecht Tango DJ

Fuegos artificiales

Fuegos artificiales is a Tango written by Eduardo Arolas and recorded by Alfredo De Angelis in 1969. Alfredo De Angelis has recorded Fuegos artificiales as an instrumental Tango.
“Fuegos Artificiales,” which translates to “Fireworks” in English, captures the explosive beauty and fleeting brilliance of a vibrant night sky. Each note bursts with intensity, conjuring the dazzling spectacle of colors painting the darkness. This musical piece ignites emotions like fireworks, illuminating the soul with moments of awe and passion, echoing the dance of light and shadow.

Tango

Style

Alfredo De Angelis

Orchestra

Instrumental

Singer

Author

Eduardo Arolas

Composer

1969/7/10

Date

Instrumental
Instrumental
Alfredo De Angelis
Alfredo De Angelis

Discover Other Orchestras

Edgardo Donato – Voce esta maluca – 1930/1/1
Edgardo Donato – El zorzal – 1935/8/28
Edgardo Donato – Una luz en tus ojos – 1934/8/9
Edgardo Donato – El viejo cuco – 1931/1/1
Edgardo Donato – Pego la vuelta el gaucho – 1931/1/1
Ricardo Malerba – Media noche – 1944/9/8
Ricardo Malerba – Qué tarde que has venido – 1956/9/13
Ricardo Malerba – Linda – 1956/9/13
Ricardo Malerba – Amor con amor se paga – 1944/6/30
Ricardo Malerba – Historia de un amor – 1956/3/16
Pedro Laurenz – La vida es una milonga – 1941/9/5
Pedro Laurenz – Que nunca me falte – 1943/9/22
Pedro Laurenz – Desconsuelo – 1940/2/21
Pedro Laurenz – Nunca tuvo novio – 1943/4/16
Pedro Laurenz – Titina – 1925/7/3
Héctor Varela – Y te tengo que esperar – 1957/1/18
Héctor Varela – La catrera – 1957/4/22
Héctor Varela – Y no me dejes corazón – 1958/4/23
Héctor Varela – Suipacha – 1951/11/15
Héctor Varela – Y todavía te quiero – 1956/7/24

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Fuegos artificiales recorded by other Orchestras

Fuegos artificiales recorded by other Orchestras

1969/7/16 – Mi gran noche – Alfredo De Angelis
1969/7/1 – A Evaristo Carriego – Osvaldo Pugliese
1969/7/1 – Manon – Osvaldo Pugliese
1969/7/30 – El ultimo farol – Anibal Troilo
1969/7/30 – La trampera – Cuarteto Anibal TROILO
Fuegos artificiales – (unknown date) – Anibal Troilo – Instrumental
Fuegos artificiales – 1941/2/26 – Juan D-Arienzo – Instrumental
Fuegos artificiales – 1954/12/17 – Edgardo Donato – Instrumental
Fuegos artificiales – 1969/7/10 – Alfredo De Angelis – Instrumental
Fuegos artificiales – 1957/4/8 – Hector Varela – Instrumental
Fuegos artificiales – 1970/4/16 – Florindo Sassone – Instrumental
Fuegos artificiales – 1928/5/31 – Roberto Firpo – Instrumental
Fuegos artificiales – 1927/1/1 – Roberto Firpo – Instrumental
Fuegos artificiales – 1938/1/4 – Roberto Firpo – Instrumental
Fuegos artificiales – 1956/7/31 – Armando Pontier – Instrumental
Fuegos artificiales – 1970/1/1 – Horacio Salgan Y Dante Amicarelli – Instrumental

Fuegos artificiales recorded by Alfredo De Angelis


Fuegos artificiales is an instrumental Tango composed by Eduardo Arolas.



Interpretation of Fuegos artificiales

Translated to English, “Fuegos artificiales” means “Fireworks.” As an instrumental tango, it likely captures the energy and vibrancy associated with a fireworks display. The intricate melodies and dynamic rhythms might mimic the bursts of color and light seen in the sky. The orchestra, with its violins, bandoneons, and piano, could create a sense of drama and excitement, embodying the spectacle of fireworks—with moments of intensity and crescendo, as well as quieter, reflective passages, to mirror the ebb and flow of a display.



Alfredo De Angelis and Fuegos artificiales

Alfredo De Angelis, a renowned tango bandleader, brings a unique interpretation to “Fuegos artificiales” with his orchestra. The style of De Angelis is often characterized by its elegance and melodic richness, likely enhancing the celebratory and spirited nature of the composition. His interpretation would emphasize the danceable aspect of the tango, inviting listeners to find the rhythm and emotion akin to witnessing a festive fireworks show. De Angelis’s version would offer a balanced blend of tradition and innovation, making “Fuegos artificiales” a memorable piece in the tango repertoire.