Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Fue mi salvación is a Tango written by Alberto Cosentino and composed by Ascanio Donato.
Lyrics from the tango “Fue mi salvación” delve into complex emotional states centering around feelings of betrayal, loss, and salvation. The author uses the tango to articulate a narrative of love that once burned intensely but ended in deceit, leaving the speaker disillusioned but saved by filial love for his mother. The tender and powerful declarations to his mother as his only source of true salvation and support create a poignant contrast to the bitter memories of a failed romantic relationship.
In the tango “Fue mi salvación,” the phrase “Brinda mi corazón” symbolizes the giving of one’s heart, reserved only for the trustworthy, in this case, the speaker’s mother, contrasting to the false love experienced with a past partner. The conversation between the deceived and the deceiver in the lyrics sheds light on themes of betrayal versus true, unconditional love. The recurring references to salvation through his mother serve as a symbol of unconditional familial love being the ultimate refuge and sanctuary. Also, the mention of God’s awareness in the claims of love suggests an invocation of a higher moral authority, thus attributing a sacredness to the truth and sincerity of emotions, further elevating the emotional weight of betrayal.
The tango was recorded in 1940, a time when Argentina was marked by its cultural richness and complex social changes. Tangos of this era often reflected deep personal and social narratives, embracing themes of love, betrayal, and redemption—common in the poetic and musical exploration of the human condition. “Fue mi salvación” captures this essence beautifully, weaving a personal tale of betrayal and vindication against a backdrop of cultural devotion to both familial and romantic forms of love, potent in the Argentine ethos.
Alberto Cosentino was a noteworthy tango lyricist, contributing deep emotional narratives to the Argentine music scene during the 20th century.