Fabrice Knecht Tango DJ

Frente a frente

Frente a frente is a Tango written by Red Mann and recorded by Edgardo Donato in 1930. Edgardo Donato has recorded Frente a frente as an instrumental Tango.
“Frente a frente,” translated as “Face to Face,” captures the intimate dance of confrontation and connection. This piece draws us into a world where souls meet in vivid and shared emotions, each note bridging the gap between two hearts. It is a musical dialogue, a tango of whispered confessions and unspoken truths, where every pause holds the weight of unshed tears.

Tango

Style

Edgardo Donato

Orchestra

Instrumental

Singer

Author

Red Mann

Composer

1930/1/1

Date

Instrumental
Instrumental
Edgardo Donato
Edgardo Donato

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Ricardo Malerba – Quejas de Montmartre – 1956/3/16
Domingo Federico – La noche y marfil – 1946/5/23
Domingo Federico – Designio – 1954/2/8
Domingo Federico – Mi viejo viejo spleen – 1961/1/1
Domingo Federico – El choclo (2) – 1960/1/1
Domingo Federico – Yuyo verde – 1944/9/12
Francisco Canaro – Valencia – 1926/1/1
Francisco Canaro – Páginas de amor – 1926/11/23
Francisco Canaro – La maldita – 1924/1/1
Francisco Canaro – Caricias (2) – 1924/1/1
Francisco Canaro – El africano – 1920/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1930/1/1 – A la orilla de la mar – Edgardo Donato
1930/1/1 – Algun dia (2) – Edgardo Donato
1930/1/1 – Buena yunta – Edgardo Donato
1930/1/1 – Candombiando – Edgardo Donato
1930/1/1 – Che fayuto – Edgardo Donato

Frente a frente recorded by Edgardo Donato


Frente a frente is an instrumental Tango composed by Red Mann.



Interpretation of Frente a frente

“Frente a frente,” translated to English as “Face to Face,” evokes the imagery of an intense and emotional encounter. As an instrumental tango, it can be imagined as a musical dialogue, expressing a dramatic and intimate interaction between two individuals. The melody might start softly, as if the two are sizing each other up, building anticipation. As the piece progresses, the intensity and tempo could increase, reflecting a fierce exchange of emotions, culminating in a powerful climax where both parties reach a moment of understanding or resolution. The music captures the spirit of tango’s passion and depth, with traditional instruments like the bandoneón, piano, double bass, and violin weaving together to create an atmosphere charged with emotion.



Edgardo Donato and Frente a frente

Edgardo Donato, known for his vibrant and rhythmic tangos, brings “Frente a frente” to life with his orchestra’s unique style. Recorded in the early 1930s, Donato’s interpretation likely maintains the authenticity of the original composition while infusing it with his orchestra’s characteristic energy and flair. His version of the tango might emphasize crisp, rhythmic sections and emotive, sweeping melodies, showcasing the poignant “face to face” encounter through the expressive musicality typical of his ensemble.