Fosforerita by Amaro Giura

Fosforerita is a Tango written by Amaro Giura and composed by Bartolomé Chapela.

Story behind the Tango Fosforerita

The lyrics of “Fosforerita” recount the early job experiences of factory women, specifically those working in a match factory (fosforeras). These women, symbolized as ‘palomitas’ or little doves, epitomize innocence and hardworking virtues. The narrative voice reflects on their youthful aspirations, contrasting these with the harsh realities of their work in the face of societal judgment and harassment, represented by raucous, drunken groups (patotas embriagadas). This tango paints a sympathetic portrait of the working-class women, unfolding a narrative of respect, hardship, and a longing for moral justice.

Symbolism of Fosforerita

The term “Fosforerita”, a play on words linking ‘fosforecerita’ (little lighter) and ‘fosforera’ (matchstick girl), strategically underscores the central theme of poverty and survival by illuminating the daily lives and struggles of young factory women. ‘Palomitas’ or doves, as mentioned in the lyrics, symbolize purity and resilience, enduring societal shadows. Words like “locuras” (madness) tie into the emotional and perhaps reckless abandon of youth contrasted with the ‘virtud’ (virtue) these young women maintain despite societal challenges.

Fosforerita in historic Context

The theme and setting of “Fosforerita” reflect the Argentina of the late 1950s, a period marked by political unrest and economic difficulties. This backdrop plays into the narrative, emphasizing the everyday struggle faced by the labor class, especially women, within a turbulent socio-economic landscape. By focusing on workers at dawn (“cuando el sol iba a llegar”), the author situates these labors within a broader narrative of hope and relentless survival amid encroaching societal and economic darkness.

Amaro Giura

Amaro Giura was a notable Argentine lyricist whose works often reflected societal themes, casting a light on the less privileged classes of his time.