Fabrice Knecht Tango DJ

Florida

Florida is a Tango written by Raimundo Petillo and recorded by Juan D’Arienzo in 1952. Juan D’Arienzo has recorded Florida as an instrumental Tango.
“Florida,” translated into English as “Flowery,” is a musical piece that captures the essence of vibrant blossoms and the rich tapestry of life they represent. It vividly paints a landscape where each note unfurls like a petal in the sun, evoking a sense of renewal and beauty. The melody dances gracefully, embodying the lush abundance that the name suggests.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Antonio Polito

Author

Raimundo Petillo

Composer

1952/11/12

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

Discover Other Orchestras

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Horacio Salgán Y Dante Amicarelli – Zamba de Vargas – 1970/1/1
Horacio Salgán Y Dante Amicarelli – Juego de damas – 1971/1/1
Horacio Salgán Y Dante Amicarelli – Añoranzas (3) – 1971/1/1
Horacio Salgán Y Dante Amicarelli – El bosque mágico – 1971/1/1
José Garcia – Zorro plateao – 1943/1/13
José Garcia – Cuna de tango – 1944/1/17
José Garcia – Fea – 1942/1/23
José Garcia – En un bosque de la China – 1942/9/17
José Garcia – Retirao (El retirao) – 1942/3/17
Ricardo Malerba – Palais de glace – 1944/9/8
Ricardo Malerba – La morena de mi copla – 1961/1/1
Ricardo Malerba – El preso n°9 – 1958/1/1
Ricardo Malerba – Mariana (2) – 1942/10/5
Ricardo Malerba – Tres amigos – 1944/4/18
Julio De Caro – Para Corrientes – 1953/4/10
Julio De Caro – De rompe y raja – 1930/1/1
Julio De Caro – Boedo – 1950/10/9
Julio De Caro – El monito – 1928/1/1
Julio De Caro – El pensamiento – 1942/1/1

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Florida recorded by other Orchestras

Florida recorded by other Orchestras

1952/11/12 – El comandante – Juan D-Arienzo
1952/11/12 – Viejo smoking – Juan D-Arienzo
1952/11/12 – Un alma buena – Juan D-Arienzo
1952/11/12 – Siempre tu en mi corazon – Juan D-Arienzo
1952/11/12 – El romantico – Juan D-Arienzo
Florida – 1938/8/5 – Juan D-Arienzo – Instrumental
Florida – 1952/11/12 – Juan D-Arienzo – Instrumental
Florida – 1941/7/23 – Enrique Rodriguez – Instrumental

Letra del Tango Florida

Sin la careta del dolor,

pensando en el amor,

van todos a Florida…

En el soberbio atardecer,

sonriendo, la mujer

es un canto a la vida.

Por esa calle de moda

va siempre gentil,

soñando, dulce, en la boda,

que la hará feliz…

Va por la calle Florida,

la linda calle donde está el querer.



Los muchachos, también,

saboreando ilusión,

llevan el corazón

en un lírico tren.

Y el piropo sutil,

en sus labios, es miel

que alimenta el clavel

del humano vivir.

Se contemplan los dos,

con ideal frenesí.

Ella dice que sí;

nunca él dice que no.

Y en un mismo dulzor,

por Florida se van,

que es la calle sin par,

en las cosas de amor.



En ese punto de reunión,

también, tras la ilusión,

va el viejo presumido.

Con una rosa en el ojal,

doliéndole al pisar,

maldice el reumatismo.

Y en esa calle querida

por el caburé,

jamás se siente vencida

la pasión y fe.

¡Bendita seas, Florida!

Mientras yo viva no te dejaré.

English lyrics of the Tango "Florida"

Without the mask of pain,

thinking of love,

everyone heads to Florida…

In the superb sunset,

smiling, the woman

is a song to life.

Along that fashionable street

she always goes so gracefully,

dreaming sweetly of the wedding

that will bring her happiness…

She walks down Florida Street,

the lovely street where love lies.

The young men, too,

savoring dreams,

carry their hearts

on a lyrical train.

And the subtle compliment

on their lips, is honey

that nourishes the carnation

of human life.

They gaze at each other,

with ideal fervor.

She says yes;

he never says no.

And with the same sweetness,

they go down Florida,

that unparalleled street,

in matters of love.

At that meeting point,

also, chasing dreams,

goes the old vain man.

With a rose in his buttonhole,

hurting as he steps,

he curses his rheumatism.

And in that beloved street

frequented by night owls,

passion and faith

never feel defeated.

Blessed be, Florida!

As long as I live, I will not leave you.

Florida by Antonio Polito

Florida is a Tango written by Antonio Polito and composed by Raimundo Petillo.

Story behind the Tango Florida

The lyrics of “Florida” delve into daily life on Calle Florida, a famous street in Buenos Aires known for its vibrant atmosphere. This tango describes different characters – lovers, dreamers, and even those battling old age – all united by this iconic location. The imagery used suggests a mosaic of emotions from hope to pain, communicating a comprehensive picture of human experience, as each individual traverses their paths on this street.

Symbolism of Florida

The repeated reference to Calle Florida as “la calle de moda” and “la linda calle donde está el querer” symbolizes it as a place of dreams, love, and aspiration in the cultural heart of Buenos Aires. The street acts not just as a physical space but as a portal into the souls of the people who grace it. The street here is almost personified, embodying hope and ambition, making it a sanctuary for both the young and the old. The lyric “ese punto de reunión” emphasizes Calle Florida as a central meeting point, reinforcing its significance as a symbol of communal and emotional convergence.

Florida in historic Context

The tango “Florida” was recorded in the early 1950s, a period marked by significant political and social shifts in Argentina. Set against this backdrop, the tango might subtly reflect the escapism people sought through simple city life pleasures amidst the evolving dynamics of their society. Recurring themes of love, youthful dreams, and the harsh reality of aging mirror collective cultural sentiments during a time when Argentina was grappling with modernization and global influences after World War II.

Antonio Polito

Antonio Polito was a renowned poet and lyricist in Argentina, noted for his contributions to the tango genre.