Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Flores negras is a Tango written by Mario César Gomila and composed by Francisco De Caro.
“Flores negras” translates to “Black Flowers” in English, a metaphor that exemplifies the themes of love, loss, and despair within the tango. The lyrics narrate a poignant tale of romantic love transitioning into heartache. The black flowers and love letters once exchanged between the lovers serve as relics of their faded love, underscoring the permanence of their separation and the withering of their once vibrant relationship.
The recurring motif of ‘black flowers’ symbolizes dead or dying love and the mourning that accompanies such loss. This choice of color, traditionally associated with mourning, enhances the profound sorrow and melancholy of the narrative. Phrases such as “junto a las cartas de las frases locas” (next to the letters with wild phrases) and “de amor que se unían… ¡ya no se unen más!” (of love that joined… do not join anymore!) emphasize the contrast between past passion and present grief.
The tango “Flores negras” was created and recorded in the late 20th century, a period rich in cultural and historical complexities in Argentina. Despite being a modern creation, the tango retains the traditional melancholic and nostalgic essence of classic tango music, resonating with themes of love and loss. Given its 1980 release, during a time of significant political and social upheaval in Argentina, the tango may also subtly reflect the broader themes of uncertainty and disillusionment that pervaded the national landscape.
Mario César Gomila was recognized for his contribution to the rich tradition of tango, particularly noted for works like “Flores negras” which delve deep into the human emotions of love and loss.