Fabrice Knecht Tango DJ

Felicia

Felicia is a Tango written by Enrique Saborido and recorded by Juan D’Arienzo in 2015. Juan D’Arienzo has recorded Felicia as an instrumental Tango.
“Felicia,” which means “happy” in English, dances through the air like a whisper of joy. This piece, rich in emotion, captures the essence of a carefree spirit, brimming with life’s pleasures. The music sways gently, inviting the listener to embrace felicity, promising a moment of upliftment and delight in every note.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Carlos Mauricio Pacheco

Author

Enrique Saborido

Composer

2015/1/1

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Carlos Gardel – Ausencia – 1933/10/13
Carlos Gardel – Maldita visión – 1925/1/1
Carlos Gardel – El bulin de la calle Ayacucho – 1925/1/1
Carlos Gardel – Poupee de Stamboul – 1924/1/1
Carlos Gardel – Tristeza gaucha (2) – 1927/12/17
Roberto Firpo – Ojos que lloran – 1930/4/16
Roberto Firpo – Asueroterapía – 1930/7/10
Roberto Firpo – Lunes (Lunes trece) – 1932/3/15
Roberto Firpo – Fantoches – 1935/7/24
Roberto Firpo – Flor de la raza – 1932/6/13
Osvaldo Fresedo – Por calles muertas – 1948/7/16
Osvaldo Fresedo – Claro de luna (2) – 1928/6/5
Osvaldo Fresedo – Pero yo sé – 1928/8/11
Osvaldo Fresedo – Sin rabia y sin pena – 1942/8/7
Osvaldo Fresedo – Pordiosera – 1928/6/15
LOS SEÑORES DEL TANGO – Milonguero viejo – 1962/10/8

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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Felicia recorded by other Orchestras

Felicia recorded by other Orchestras

2015/1/1 – Remembranza (Remembranzas) – Juan D-Arienzo
2015/1/1 – Quiero verte una vez mas – Juan D-Arienzo
2015/1/1 – Paciencia – Juan D-Arienzo
2015/1/1 – La ultima copa – Juan D-Arienzo
2015/1/1 – La punalada – Juan D-Arienzo
Felicia – 1939/9/1 – Juan D-Arienzo – Instrumental
Felicia – 1954/4/29 – Juan D-Arienzo – Instrumental
Felicia – 1947/12/23 – Juan D-Arienzo – Instrumental
Felicia – 2015/1/1 – Juan D-Arienzo – Instrumental
Felicia – 1927/10/10 – Osvaldo Fresedo – Instrumental
Felicia – 1930/1/1 – Edgardo Donato – Instrumental
Felicia – 1969/8/22 – Alfredo De Angelis – Instrumental
Felicia – 1970/1/1 – Jose Basso –
Felicia – 1966/3/11 – Florindo Sassone – Instrumental
Felicia – 1947/7/31 – Osmar Maderna – Instrumental
Felicia – 1937/4/20 – Cuarteto Tipico Roberto Firpo – Instrumental
Felicia – 1968/8/20 – Domingo Federico – Instrumental
Felicia – 1932/6/24 – Adolfo Carabelli – Instrumental
Felicia – 1960/1/1 – Quinteto Real (Horacio Salgan) – Instrumental

Letra del Tango Felicia

Allá en la casta apartada
donde cantan las espumas
el misterio de las brumas
y los secretos del mar,
yo miraba los caprichos
ondulantes de las olas
llorando mi pena a solas:
mi consuelo era el mirar.

Desde entonces en mi frente
como un insondable enigma
llevo patente el estigma
de este infinito pesar.
Desde entonces en mis ojos
está la sombra grabada
de mi tarde desolada:
en mis ojos está el mar.

Ya no tendré nunca aquellos
tintes suaves de mi aurora
aunque quizás se atesora
toda su luz en mis ojos.
Ya nunca veré mis playas
ni aspiraré de las lomas
los voluptuosos aromas
de mis flores uruguayas.

English lyrics of the Tango "Felicia"

Felicia recorded by Juan D’Arienzo

Felicia is an instrumental Tango composed by Enrique Saborido.

Interpretation of Felicia

The name “Felicia,” which translates to “Happiness” in English, evokes an emotion and atmosphere of joy and exuberance, which is brilliantly captured in its rendition by Juan D’Arienzo’s orchestra. In this instrumental interpretation, one can imagine the vibrant hustle and charm of Buenos Aires’ tango salons, where every note flirts with elegance and zest. The piece begins with a brisk and lively tempo, embodying a dance of hopeful spirits and cheerful encounters. The violins sing brightly, while the bandoneons add a rich layer of warmth and nostalgia, creating an irresistible aura of celebration. The rhythmic piano and the percussion drive the dancers’ movements, cascading through dynamic shifts that mirror moments of serenity and crescendos of ecstatic delight.

Juan D’Arienzo and Felicia

Juan D’Arienzo, known as “El Rey del Compás” (The King of the Beat), brings his distinct style to “Felicia,” emphasizing rhythmic precision and energetic tempo. His orchestra’s interpretation of “Felicia” underscores the vibrant and vivacious qualities that tango music possesses under his baton. D’Arienzo’s arrangement highlights the piece’s foundational elements, where each section layers to create a complex, yet harmonious narrative, inviting listeners and dancers alike to indulge in its lively essence. His approach imbues the composition with a compelling vitality, ensuring “Felicia” remains a timeless incarnation of joy and dance.