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Felicia

Felicia is a Tango written by Enrique Saborido and recorded by Juan D’Arienzo in 1947. Juan D’Arienzo has recorded Felicia as an instrumental Tango.
“Felicia,” meaning “happiness” in English, dances gracefully through the air like a whisper of joy. The melody sways with a blend of yearning and elation, capturing the essence of life’s bittersweet moments. Each note weaves a tapestry of bliss, lifting hearts and spirits to a realm of serenity and warmth.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Carlos Mauricio Pacheco

Author

Enrique Saborido

Composer

1947/12/23

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Felicia recorded by other Orchestras

Felicia recorded by other Orchestras

Letra del Tango Felicia

Allá en la casta apartada
donde cantan las espumas
el misterio de las brumas
y los secretos del mar,
yo miraba los caprichos
ondulantes de las olas
llorando mi pena a solas:
mi consuelo era el mirar.

Desde entonces en mi frente
como un insondable enigma
llevo patente el estigma
de este infinito pesar.
Desde entonces en mis ojos
está la sombra grabada
de mi tarde desolada:
en mis ojos está el mar.

Ya no tendré nunca aquellos
tintes suaves de mi aurora
aunque quizás se atesora
toda su luz en mis ojos.
Ya nunca veré mis playas
ni aspiraré de las lomas
los voluptuosos aromas
de mis flores uruguayas.

English lyrics of the Tango "Felicia"

There, in the secluded purity
where the foams sing,
the mystery of the mists
and the secrets of the sea,
I watched the whimsical
undulating waves,
weeping my sorrow alone:
my consolation was to look.

Since then on my forehead,
like an unfathomable enigma,
I carry clearly the stigma
of this infinite grief.
Since then in my eyes
is engraved the shadow
of my desolate afternoon:
in my eyes is the sea.

I will never have again
those soft tinges of my dawn
though perhaps all its light
is treasured in my eyes.
I will never see my beaches again
nor will I breathe from the hills
the voluptuous scents
of my Uruguayan flowers.

Felicia by Carlos Mauricio Pacheco

Felicia is a Tango written by Carlos Mauricio Pacheco and composed by Enrique Saborido.

Story behind the Tango Felicia

The lyrics of “Felicia” evoke a deep melancholy and a bound connection to nature, particularly the sea. The narrator reflects on a secluded, almost sacred coastal area where the mysteries of the mist and the sea are omnipresent. This setting serves as a retreat for the narrator, who seeks solace in watching the whims of the waves while mourning a personal sorrow in solitude. The sea becomes a metaphor for the narrator’s pain—an endless, fluctuating entity that mirrors his own inconsolable spirit.

Symbolism of Felicia

In “Felicia,” the sea is a dominant symbol, representing both the depth of the narrator’s emotions and the constant, sometimes volatile changes in life. The undulating waves symbolize the ups and downs of existence, while the “mystery of the fog” implies the unclear, often unpredictable future. The reference to having the sea engraved in his eyes suggests that the narrator carries the weight and the memories of his past wherever he goes—it has become a part of his identity. The phrase “my consolation was in looking” symbolizes the idea that sometimes, observing and reflecting is the only comfort one can find in moments of despair.

Felicia in Historic Context

The tango was recorded in 1947, a time post-World War II where much of the world was dealing with loss and rebuilding. In Argentina, this period was also marked by significant political changes and cultural shifts. The nostalgic and somewhat somber tone of the lyrics may reflect a wider sense of mourning and reflection that was prevalent at the time. The mention of “my Uruguayan flowers” connects to a specific regional identity, rooting the song deeply in the Rio de la Plata region, known for its rich tango culture and history.

Carlos Mauricio Pacheco

Carlos Mauricio Pacheco was a notable lyricist whose works often encapsulated deep emotional narratives with a strong cultural identity reflecting the regions of Argentina and Uruguay. His compositions include multiple layers of meaning, often embracing both personal and broader societal themes.