Fabrice Knecht Tango DJ

Fechoría

Fechoría is a Milonga written by and recorded by Aníbal Troilo in 1970. Aníbal Troilo has recorded Fechoría as an instrumental Milonga.
“Fechoría,” translated as “Misdeed,” is a name that evokes a tapestry of mischievous dance steps, echoing beneath the dim lights of a smoky ballroom. The music spins tales of passionate betrayal and fleeting romance, where each note is a step taken in defiance of consequence. Through its melody, it captures the essence of life’s playful yet perilous adventures.

Fechoría recorded by Aníbal Troilo

Fechoría is an instrumental Tango composed by .

Interpretation of Fechoría

The name “Fechoría” translates to “Mischief” in English. As an instrumental tango performed by Aníbal Troilo’s orchestra, “Fechoría” might be imagined as a playful yet sophisticated dance between the instruments. The bandoneón, with its signature melancholic yet vibrant tones, leads the ensemble in an exploration of mischievous melodies that waltz around themes of playfulness and intrigue. The violins might swoop in with swift, lively strokes that echo the excitement of a cunning escapade, while the piano lays down a rhythmic foundation that suggests both agility and depth. This tango captures the spirit of mischief with its intensity, fluctuating dynamics, and flirtatious interplay of harmonies, ultimately creating a vivid and captivating aural tableau.

Aníbal Troilo and Fechoría

Aníbal Troilo, affectionately known as “Pichuco,” was a renowned Argentine tango musician, bandleader, and composer who played a pivotal role in the evolution of the tango genre. With his orchestra, Troilo beautifully embodied the essence of tango with musical precision and rich emotional expression. The composition “Fechoría,” recorded on September 14, 1970, stands as a testament to his ability to weave narratives without words, letting the instruments speak volumes. Aníbal Troilo’s interpretation of “Fechoría” breathes life into the mischief inherent in its name, engaging listeners through the evocative power of his ensemble’s artistry.