Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Fatal y tanguera is a Tango written by Aldo Queirolo and composed by Ángel Domínguez.
The lyrics of “Fatal y tanguera” narrate a poignant story of neglect and maternal abandonment set against the backdrop of a tango-centric nightlife. The speaker accuses a woman of being heartless and neglecting her child, who waits desperately for her attention and love in a decrepit attic. The child, a product of the woman’s frivolous and hedonistic lifestyle, becomes a burdensome afterthought as she continues to immerse herself in a life of luxury and sensuality.
The tango uses strong imagery and symbols to communicate its themes. Phrases like “mascarita fatal y tanguera” (fatal and tango-dancer mask) suggest the woman’s dual addiction to façades and the superficiality of the tango scene. Her life, soaked in “caro champán” (expensive champagne), contrasts starkly with the reality of her child, who longs for “a piece of bread” and maternal affection. The repeated desperation in the child’s cry, “¡Mamá!” underscores the emotional and physical abandonment, painting a vivid picture of contrasting worlds under one roof.
Released in 1954, “Fatal y tanguera” emerges from a period in Argentina where tango was not just a dance but a reflection of the social dynamics and cultural narrative of the time. Post-World War II Argentina grappled with social and economic changes that influenced family structures and gender roles. The tango, often a narrative vessel, captured these shifts, and in this piece, perhaps critiques or highlights the consequences of abandoning traditional family values and roles for personal gratification.
Aldo Queirolo was an influential figure in the tango scene, known for his poignant lyrics that often explored deep emotional and social themes.