Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Farolito de mi barrio is a Tango written by José De Grandis and composed by Enrique Pollet.
“Farolito de mi barrio,” which translates to “Little Lantern of my Neighborhood,” is a reflective and nostalgic piece that captures a deep sense of loss and change over time. The song’s narrator speaks to a street lamp, once bright and splendid, now dim and forgotten, using it as a metaphor for the transformation of the community and perhaps the inevitability of aging. Each verse brings forth memories of a vibrant past, filled with youth, romance, and spirited encounters, all witnessed by this little lantern. Through this dialogue with an inanimate object, the lyrics explore themes of memory, decline, and the passage of time.
The lantern (“farolito”) is a powerful symbol in this Tango. It acts as a silent sentinel, a witness to the emotional landscapes and the unfolding dramas of the neighborhood over the years. When the lyrics highlight how the lantern “no longer shines” and leans towards the ground “in its pain,” the emotional resonance extends to represent the fading spirit and energy of the locality it has illuminated. This evokes a feeling of melancholy for the disappearing old ways and characters of the neighborhood. Captivating phrases like “the lantern witnessed the courage of the elders” or “the lantern saw the flirtatiousness of the young girls” imbue the inanimate with life-like qualities, enhancing the sense of a living history bound up in ordinary objects.
Released in 1970, “Farolito de mi barrio” emerged during a period in Argentina marked by social and political change. This context infuses the song with a layer of meaning; the lament over the neglected state of the lantern and its surrounding community could also mirror wider societal changes and a yearning for simpler, perhaps more authentic, times. The references to traditional Tango scenes and the vibrant local life of past decades paint a picture of a cultural epoch that might be at risk of being eroded or forgotten amid rapid modernization and shifting social norms.
José De Grandis was an Argentine lyricist known for his contributions to Tango music, capturing the spirit and the stories of local life and culture through his songs.