Fabrice Knecht Tango DJ

Farolito de mi barrio

Farolito de mi barrio is a Tango written by Enrique Pollet and recorded by Julio De Caro in 1926. Julio De Caro has recorded Farolito de mi barrio as an instrumental Tango.
“Farolito de mi barrio,” which translates to “Little Lantern of My Neighborhood,” evokes the guiding light flickering softly through the night, illuminating cobblestone streets. This small beacon symbolizes warmth and hope, a sentinel watching over familiar pathways. It captures the essence of nostalgia, a tender reminder of home and the comforting glow of cherished memories.

Tango

Style

Julio De Caro

Orchestra

Instrumental

Singer

José De Grandis

Author

Enrique Pollet

Composer

1926/1/1

Date

Instrumental
Instrumental
Julio De Caro
Julio De Caro

Discover Other Orchestras

Roberto Firpo – Titina – 1931/9/24
Roberto Firpo – Riase – 1927/2/11
Roberto Firpo – Qué pua! – 1926/12/31
Roberto Firpo – El altar de los claveles – 1930/6/12
Roberto Firpo – Risas y lágrimas – 1927/4/8
Alfredo Gobbi – El hijo cruel – 1954/12/31
Alfredo Gobbi – La catrera – 1951/4/26
Alfredo Gobbi – Te estaba esperando – 1956/4/16
Alfredo Gobbi – Nueve puntos – 1952/4/3
Alfredo Gobbi – Chuzas (2) – 1949/12/21
Astor Piazzolla – Tapera – 1947/10/23
Astor Piazzolla – Suite Troileana 4
Escolaso – 1976/1/1
Astor Piazzolla – Ojos tristes (Ojos muertos) – 1947/1/2
Astor Piazzolla – Concierto para quinteto – 1986/1/1
Astor Piazzolla – Garúa – 1982/5/30
Carlos di Sarli – Adiós te vas – 1943/3/17
Carlos di Sarli – El ciruja – 1951/12/6
Carlos di Sarli – Champagne tango – 1944/7/20
Carlos di Sarli – El once (A divertirse) – 1954/11/16
Carlos di Sarli – Corazón – 1955/2/2

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

Farolito de mi barrio recorded by other Orchestras

Farolito de mi barrio recorded by other Orchestras

1926/1/1 – Agua corriente – Julio De Caro
1926/1/1 – Derecho viejo – Julio De Caro
1926/1/1 – Guardia vieja – Julio De Caro
1926/1/1 – La casita esta triste – Julio De Caro
1926/1/1 – La plegaria – Julio De Caro
Farolito de mi barrio – 1970/7/1 – Osvaldo Pugliese – Instrumental
Farolito de mi barrio – 1926/1/1 – Julio De Caro – Instrumental

Letra del Tango Farolito de mi barrio

Farolito de mi barrio, ya no luces
esa pinta que te hacía tan diquero
el olvido te ha dejado tan fulero
que te inclinas hacia el suelo en tu dolor.
A tu vista me recuerda a los muchachos
que embriagados en un tango lucían cortes
caprichosos, cual muñeco de resorte,
que la barra aplaudía con calor.

Farolito, y los pebetes
cuántas veces ensayaron
su puntería y lograron
tus vidrios despedazar.
Y el borracho peregrino
halló en tu luz bienhechora
consuelo hasta que la aurora
le viniera a despertar.

Farolito, cuántas veces a tu planta
se detuvo la pebeta sonrojada
al encanto de la frase almibarada
que el muchacho enternecido deslizó.
Y las veces que en las noches tenebrosas
presenciaste de los taitas el coraje
e impasible escuchaste el ultraje
que algún guapo a la paica le enrostró.

Y las pibas que paseaban
sus graciosos coqueteos
ansiando los galanteos
de los mozos del lugar.
¿Qué te queda farolito
de tantas cosas vividas?
¡Tan sólo sombras perdidas
que el olvido ha de borrar!

English lyrics of the Tango "Farolito de mi barrio"

Little streetlight of my neighborhood, you no longer shine
with the style that once made you so dapper,
neglect has made you so shabby
that you lean toward the ground in your pain.
In your sight, I recall the young men
who, drunk on a tango, flaunted their fancy cuts,
capricious, like a spring-loaded doll,
applauded warmly by the crowd.

Little streetlight, and the kids
how often they practiced
their aim and managed
to shatter your glass.
And the drunken wanderer
found in your benevolent light
comfort, until the dawn
came to wake him.

Little streetlight, how many times at your post
stopped the blushing young girl
charmed by the sweet words
the tender boy slipped.
And the times on dark nights
you witnessed the courage of the old timers
and impassively heard the insult
some tough guy hurled at his girl.

And the girls who paraded
their playful flirtations
longing for the gallantries
of the local lads.
What remains for you, little streetlight,
of so many lived experiences?
Only lost shadows
that oblivion will erase!

Farolito de mi barrio by José De Grandis

Farolito de mi barrio is a Tango written by José De Grandis and composed by Enrique Pollet.

Story behind the Tango Farolito de mi barrio

“Farolito de mi barrio” translates to “Little lantern of my neighborhood” and paints a vivid picture of a street lamp witnessing the life and changes in a neighborhood. The lyrics evoke nostalgia and melancholy, reflecting on the past glory and current decline of the street lamp, symbolizing broader social changes. Sentiments of loss, transformation, and the impermanence of the urban landscape are captured. The street lamp, once a beacon of light and elegance (“esa pinta que te hacía tan diquero”), has become dilapidated (“el olvido te ha dejado tan fulero”).

Symbolism of Farolito de mi barrio

The street lamp in the song is a potent symbol of continuity and witness. It has seen lovers, drunks, and the local youth grow up, reflecting the dynamic human life surrounding it. Phrases like “Y el borracho peregrino halló en tu luz bienhechora consuelo” show how the lamp provided comfort and guidance to those who wandered under its light. The transformation from a respected, almost dandy figure to a neglected state reflects the community’s shifting values and perhaps the fading of traditional neighborhood camaraderie in the face of modernity.

Farolito de mi barrio in historic Context

Created in 1926 in Argentina, “Farolito de mi barrio” emerged during a time of significant urbanization and cultural shifts. Buenos Aires was rapidly modernizing, which influenced Tango music, traditionally linked to the lower class and urban experiences. This tango captures a snapshot of neighborhood life, marking the transition phases of urban environments and their impact on local culture. Key historic elements like the romanticism of street interactions and the boldness of local youths reflect the societal norms and behaviors of the 1920s in Buenos Aires.

José De Grandis

José De Grandis was a noted figure in the Argentine tango scene, known for his evocative lyrics that often delve deeply into themes of community and urban life.