Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Fantasma is a Tango written by Cátulo Castillo and composed by Enrique Delfino.
“Fantasma” translates to “Ghost” in English, a haunting reflection on love lost and lingering emotional presence. The lyrics tell the story of a man haunted every night by the ghost of a past lover. The lover is described almost tangibly, through vivid sensory details—her eyes, her voice—yet all are remnants of memories past. The nostalgia and heartbreak are evident as the persona grapples with the pain of unresolved goodbye, immortalized in the recurring “farewell song.”
Key symbols in “Fantasma” include the repeated mention of the ghost (“Fantasma”) representing the lingering feelings and memories of the departed lover. The melancholy is deepened by the “gray melancholy” and the “mysterious cup,” metaphorically suggesting a blend of confusion and unresolved emotions that the persona wishes to escape but cannot. The extinguished eyes, “like a prayer,” imply the loss of light and hope. The yearning to forget, to extinguish the relentless pain mirrored in the consumption of alcohol, underscores the depth of the persona’s despair.
The tango was recorded in 1944, a turbulent period for Argentina marked by political instability preceding the rise of Juan Perón. This era often saw themes of melancholy and nostalgia in its art, reflecting the uncertainties and emotional turmoil of the populace. In “Fantasma,” Cátulo Castillo captures this collective feeling of longing and loss, framing personal heartache in a context that likely resonated deeply with his contemporaries.
Cátulo Castillo was a prominent Argentine poet and tango lyricist, known for his profound and evocative lyrics that delve deep into themes of love, sorrow, and existential reflections.