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Este es el rey

Este es el rey is a Tango written by Manuel Caballero and recorded by Juan D’Arienzo in 1971. Juan D’Arienzo has recorded Este es el rey as an instrumental Tango.
“Este es el rey,” or “This is the King,” is a commanding title for a piece that exudes power and majesty. The music, whether danced as a tango or played as an instrumental, captures the regal essence through its bold rhythms and sweeping melodies. It tells a story of dominance and grace, where every note crowns the listener with an irresistible allure.

Tango

Style

Juan D'Arienzo

Orchestra

Instrumental

Singer

Author

Manuel Caballero

Composer

1971/11/26

Date

Instrumental
Instrumental
Juan D'Arienzo
Juan D’Arienzo

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Este es el rey recorded by other Orchestras

Este es el rey recorded by other Orchestras

Este es el rey recorded by Juan D’Arienzo

Este es el rey is an instrumental Tango composed by Manuel Caballero.

Interpretation of Este es el rey

“Este es el rey,” translated to “This is the king” in English, suggests a majestic and commanding musical experience. In a tango orchestral setting led by Juan D’Arienzo, known for his lively and rhythmic style, the piece likely exudes a regal and authoritative presence. The arrangement would be characterized by a strong, dynamic bandoneón lead, supported by energizing violins, creating a sense of grandeur and power. The intertwining melodies and rhythms would evoke the image of a royal procession, with each instrument playing a vital role in crafting an atmosphere befitting a king’s entrance.


Juan D’Arienzo and Este es el rey

Juan D’Arienzo, famously dubbed “El Rey del Compás,” or “The King of Rhythm,” brings his signature vibrancy and precision to “Este es el rey.” His orchestra, renowned for invigorating the tango dance scene with its fast-paced and rhythmic arrangements, amplifies the regal theme of the piece. Este es el rey, under D’Arienzo’s interpretation, likely showcases his expertise in creating a lively, danceable tune while maintaining the sophistication and elegance associated with the title. The rhythm section lays a robust foundation, allowing the melody to soar majestically, befitting the title’s declaration of kingship.