Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Estan sonando las ocho is a Tango written by Cátulo Castillo and composed by Juan Larenza.
“Estan sonando las ocho” translates to “It’s striking eight o’clock” in English, a phrase which serves as a recurring motif in this tango. The lyrics describe a poignant scene where the chimes of the clock bring back memories of a past love. The clock striking eight is symbolic of a specific moment frozen in the narrator’s memory, marking the routine time when hope and despair intersect as he waits in vain for the return of his lost love.
The use of the clock and its strikes in the tango symbolizes the passage of time and the persistence of memory. Each chime brings a piercing reminder of the narrator’s loneliness and the absence of his beloved. Phrases like “Sus ocho puñaladas de ansiedad” (Its eight stabs of anxiety) and “Golpeando en las campanas del adiós” (Knocking in the bells of goodbye) dramatically personify the clock’s strikes as painful reminders of loss and finality. The clock not only measures time but also the depth of the narrator’s ongoing sorrow and his struggle with the ghost of a past relationship.
Recorded on July 24, 1944, “Estan sonando las ocho” was created during a turbulent period in Argentina and the world at large—World War II was nearing its end, and Argentina itself was going through significant political changes. This historical backdrop could mirror the personal turmoil and despair expressed in the tango, highlighting a general atmosphere of uncertainty and longing. The focus on personal lament within the song could resonate deeply with an audience living through times of collective anxiety and change.
Cátulo Castillo was a prolific Argentine tango lyricist and poet, known for his deep and evocative lyrics that often explored themes of love, loss, and longing.