Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Esta vida es puro grupo is a Tango written by Enrique Carrera Sotelo and composed by Alberto Tavarozzi.
The tango “Esta vida es puro grupo” narratively explores the gritty realities of life’s struggles and the superficial façade that people often adopt to navigate social hierarchies. The lyrics delve into themes of survival, social appearance, and the dichotomy between genuine hardship and the portrayal of success. The protagonist describes his journey from desperation to becoming a revered figure through manipulation and luck, portraying a cyclic escape from and return to authenticity.
Significant phrases like “Esta vida es puro grupo” and “coty, rouge y vaselina” symbolically highlight the emphasis on appearances and superficial facades – “grupo” being a term that evokes the idea of a clique or a façade. The reference to makeup items (“coty, rouge y vaselina”) further underscores the theme of masking true identity. This symbolism serves to critique societal norms that value appearance over substance. Terms like “bacán distinguido” (distinguished gentleman) juxtapose the protagonist’s high social guise against his humble, perhaps morally dubious origins.
Recorded in 1956, a period marked by political and social upheaval in Argentina, “Esta vida es puro grupo” mirrors the societal desires for stability and upward mobility. During this era, the appearance of success could be as crucial as success itself, reflecting a society grappling with rapid modernization and class mobility. The tango, rooted in the urban culture of Buenos Aires, offers a window into the struggles and aspirations of its time, where social appearance could dictate one’s fate.
Enrique Carrera Sotelo was a notable figure in the tango scene, recognized for his poignant lyrics that often reflect on personal and societal struggles.