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Es una antigua costumbre del sud (It’s an old southern custom)

Es una antigua costumbre del sud (It’s an old southern custom) is a Foxtrot written by and recorded by Osvaldo Fresedo in 1935. The Foxtrot Es una antigua costumbre del sud (It’s an old southern custom) is written by , Osvaldo Fresedo has recorded Es una antigua costumbre del sud (It’s an old southern custom) with the singer Roberto Ray.
“Es una antigua costumbre del sud” translates to “It’s an old southern custom.” This evocative title suggests a dance of shadows and whispered traditions, where steps are passed down through generations like cherished heirlooms. In its rhythms, one can feel the heartbeats of forgotten stories and the embrace of nostalgia, weaving a melody that transcends time.

Foxtrot

Style

Osvaldo Fresedo

Orchestra

Roberto Ray

Singer

Author

Composer

1935/12/13

Date

Roberto Ray
Roberto Ray
Osvaldo Fresedo
Osvaldo Fresedo

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Ángel d’Agostino – El cardo azul – 1943/9/9
Ángel d’Agostino – Ella – 1955/8/16
Adolfo Carabelli – Recordar – 1931/6/15
Adolfo Carabelli – Rodríguez Peña – 1932/6/24
Adolfo Carabelli – Yo me quiero divorciar – 1933/3/15
Adolfo Carabelli – Por dónde andará – 1932/5/24
Adolfo Carabelli – Florida ventana de Granada – 1933/1/1
Edgardo Donato – Soy mendigo – 1939/8/31
Edgardo Donato – Lunes (Lunes trece) – 1931/1/1
Edgardo Donato – Cartón ligador – 1951/9/17
Edgardo Donato – MI-KI – 1930/1/1
Edgardo Donato – Metanle a las tortas fritas – 1932/1/1
Orquesta Símbolo Osmar Maderna – Merceditas – 1958/9/23
Orquesta Símbolo Osmar Maderna – Escalas en azul – 1959/6/17
Orquesta Símbolo Osmar Maderna – La huella – 1959/9/29
Orquesta Símbolo Osmar Maderna – Pa’ la guardia – 1959/6/30
Orquesta Símbolo Osmar Maderna – Yo te bendigo – 1959/8/18

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1935/12/13 – No me pregunten por que – Osvaldo Fresedo
1935/12/12 – Joaquina – Juan D-Arienzo
1935/12/12 – Pabellon de las rosas – Juan D-Arienzo
1935/12/17 – Alma mia (2) – Miguel Calo
1935/12/17 – Declaracion – Miguel Calo

Lyrics Translation of the Foxtrot Es una antigua costumbre del sud (It's an old southern custom)

This is the translation of the Foxtrot “Es una antigua costumbre del sud (It’s an old southern custom)” from Spanish to English. The English lyrics of the Foxtrot “Es una antigua costumbre del sud (It’s an old southern custom)” have been done with AI.

Es una antigua costumbre del sud (It’s an old southern custom) recorded by Osvaldo Fresedo


Es una antigua costumbre del sud (It’s an old southern custom) is an instrumental Tango composed by .



Interpretation of Es una antigua costumbre del sud (It’s an old southern custom)

Imagine stepping into a vibrant gathering in an old southern town where the lingering warmth of tradition dances through the air with each soulful step. As the first notes of the instrumental piece spill out from the orchestra, a sense of nostalgia coupled with the rhythmic murmur of tango takes center stage. The rich and velvety tones of the bandoneón conjure vivid images of cobbled streets alive beneath the enchantment of moonlit nights. Each instrument layers the melody like strands of stories woven through time, transporting the listener back to an era where passion and grace dictated the language of movement. This tango captures the essence of those long-standing customs, moving hearts just as much today as in times past.



Osvaldo Fresedo and Es una antigua costumbre del sud (It’s an old southern custom)

Osvaldo Fresedo, a stalwart in the realm of tango orchestras, brings “Es una antigua costumbre del sud” to life with a seamless blend of elegance and fervor. Embodying the spirit of the southern tradition, Fresedo’s orchestra channels the warmth and intensity of the tango, a testament to its well-crafted instrumentation and emotive dynamics. Fresedo, who had been a part of the tango scene for decades by 1935, infuses each performance with his characteristic suave style, ensuring that the music resonates with both the current and past generations of tango enthusiasts. The piece remains a homage to the continuous heartbeat of tango, echoing through time under Fresedo’s masterful direction.