Fabrice Knecht Tango DJ
Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
Entre copa y copa is a Tango written by Héctor Marcó and composed by Alfredo Attadía.
The tango “Entre copa y copa,” meaning “From Glass to Glass,” captures the essence of the milonguero’s life, encapsulating the nightlife and the nostalgic allure of old Buenos Aires. The lyrics depict a seasoned dancer, reminiscing about his youthful days and his enduring passion for the dance floors where he once shone. The recurring theme of moving from one drink to the next serves as a metaphor for life’s transient pleasures and sorrows, embodied in the tango’s soulful rhythm.
Héctor Marcó adeptly uses the image of a milonguero, an experienced tango dancer, to symbolize resilience and the enduring ability to find joy amidst life’s ebbs and flows. The repeated reference to “entre copa y copa” symbolizes not just physical drinking but the intoxication with life’s moments, both bitter and sweet. The phrase “entrador como cuchillo,” which translates to “sharp as a knife,” contrasts sharply with the smooth, flowing movement on the dance floor, symbolizing the milonguero’s adeptness both in dance and in navigating life’s challenges.
Recorded in Argentina in 1942, “Entre copa y copa” reflects a period of Argentine history rich with cultural evolution, particularly in the realm of tango. The early 1940s were a time when tango music was deeply intertwined with the national identity of Argentina. The lyrics not only depict the zeitgeist of the era but also serve as a nostalgic reminder of the golden age of tango, providing a musical window into the past for contemporary audiences.
Héctor Marcó was a prominent figure in the tango scene, known for his evocative lyrics that often painted vivid pictures of Argentine culture and the human condition.