Fabrice Knecht Tango DJ

En la vía

En la vía is a Tango written by Nicolás Vaccaro and recorded by José Basso in 1951. The Tango En la vía is written by Nicolás Vaccaro, José Basso has recorded En la vía with the singer Jorge Duran.
“En la vía,” or “On the Path,” captures the essence of a journey in its melodic embrace. The music speaks of the winding roads life presents, where each note reflects the choices and crossroads we encounter. In its rhythm, there’s a sense of both uncertainty and hope, inviting listeners to dance along their own life’s road with grace and courage.

Tango

Style

José Basso

Orchestra

Jorge Duran

Singer

Eduardo Escaris Méndez

Author

Nicolás Vaccaro

Composer

1951/7/24

Date

Jorge Duran
Jorge Duran
José Basso
José Basso

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Quinteto Real (Horacio Salgán) – Ensueños – 1960/1/1
Quinteto Real (Horacio Salgán) – Adiós muchachos – 1964/1/1
Anibal Troilo – Volver – 1970/8/13
Anibal Troilo – El motivo (Pobre paica) – 1970/8/13
Edgardo Donato – La muerte de Milonguita – 1932/1/1
Edgardo Donato – Cua pummarola – 1932/1/1
Edgardo Donato – Una vez – 1945/1/1
Edgardo Donato – Cara negra – 1942/3/11
Edgardo Donato – Alas rotas – 1938/12/9
Francini-Pontier – Azabache – 1954/4/8
Francini-Pontier – A Zárate – 1948/3/24
Francini-Pontier – Triste flor de tango – 1953/9/22
Francini-Pontier – A la gran muñeca – 1973/1/1
Francini-Pontier – Trapitos – 1946/5/17

Recommended

These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.

1951/7/26 – Sera una noche – Jose Basso
1951/7/30 – Bailarina de tango – Rodolfo Biagi
1951/7/30 – Caricias – Rodolfo Biagi
1951/7/31 – Bien milonga – Osvaldo Pugliese
1951/7/31 – Pasional – Osvaldo Pugliese

Lyrics Translation of the Tango En la vía

This is the translation of the Tango “En la vía” from Spanish to English. The English lyrics of the Tango “En la vía” have been done with AI.

Letra del Tango En la vía

A ver, che, mocito, portame cigarros…
Y ensille ese vaso de nuevo, otra vez,
que yo no me sumo con esos otarios
que chupan de bronca, llorando después.
Yo tomo el ricino sin pena ni agravio,
que, al fin, a un disgusto lo mata un placer…
¡A qué andar con vueltas, si es largo el rosario,
cortado al despecho por una mujer!

Y, si llegase a añorarla
porque, al final, la he querido,
no he de arrumbarme, abatido,
en un rincón del café,
ni he de sacar un pañuelo
para llevarlo a mis ojos,
no he de llorar como un flojo
porque en la vía quedé.

¿Se fue? ¡Mala suerte! Café y pan criollo…
¡Qué tanto merengue: ‘Que vuelva la infiel’!…
Si aquel que se arruga pidiendo socorro
no es hombre ni tiene vergüenza con él…
¡Qué adiós, bulincito! ¡Qué adiós, aliviada!
¡El paco’e valerios, todo a ganador!
¡Paciencia, compadre! ¡No escupa la estrada!
De vuelta al convento, no pase calor.

English lyrics of the Tango "En la vía"

Let’s see, kid, bring me some cigarettes…
And fill up that glass again, one more time,
for I don’t join those fools
who drink in anger, crying afterwards.
I take my castor oil without sorrow or grievance,
for a pleasure eventually kills a displeasure…
Why go in circles, if the rosary is long,
broken in spite by a woman!

And, if I happen to miss her
because, after all, I loved her,
I will not collapse, defeated,
in a corner of the cafe,
nor will I pull out a handkerchief
to bring it to my eyes,
I will not cry like a weakling
because I was left behind.

She left? Bad luck! Coffee and homemade bread…
So much fuss: “Let the unfaithful return”…
If he who crumbles asking for help
is neither a man nor does he have any shame…
Goodbye, little room! Goodbye, relief!
The whole luck’s at play!
Patience, buddy! Don’t spit on the road!
Back to the convent, don’t overheat.

En la vía by Eduardo Escaris Méndez

En la vía is a Tango written by Eduardo Escaris Méndez and composed by Nicolás Vaccaro.



Story behind the Tango En la vía

The lyrics of “En la vía” display a profound narrative of heartbreak and resilience. The protagonist narrates a conversation at a bar, where, despite his deep sense of loss due to a departed lover, he resolves not to succumb to despair. Unlike those who “drink from grief, crying afterwards,” he chooses to face his sorrow without tears, maintaining a stoic front to mask his emotional turmoil. This song captures the essence of personal strength and the societal expectation for men to disguise their vulnerability.



Symbolism of En la vía

The title “En la vía” translates to “On the track” in English, symbolizing the course of life and its ongoing nature despite personal setbacks. Phrases like “Yo tomo el ricino sin pena ni agravio,” metaphorically speaking of taking castor oil—a traditional but unpleasant remedy—suggest dealing with hardships head-on without complaints. The repeated imagery of cigarettes, drinks, and the nonchalant handling of heartbreak emphasize a typical machismo culture, where showing emotion is often considered a weakness.



En la vía in historic Context

Recorded in 1951, “En la vía” emerges from post-World War II Argentina, a time of significant social and economic transformation. The tango scene during this era served as a reflective backdrop for the common people’s struggles and sentiments. The acceptance of grief without public mourning, as portrayed in the song, mirrors the collective stoicism adopted by societies dealing with aftermaths of war and change. The mention of “Café y pan criollo” signifies a return to simple, comforting essentials in life amidst upheavals.



Eduardo Escaris Méndez

Eduardo Escaris Méndez was a lyricist known for his contributions to tango, capturing the spirit and challenges of Argentine life through his music.