Fabrice Knecht Tango DJ
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These Tangos, Valses, and Milongas were recorded around the same time. Take a look to discover what else this orchestra—or others—may have recorded during the same week or even on the exact same day.
En la buena y en la mala is a Tango written by Enrique Cadícamo and composed by Enrique Rodríguez.
The lyrics of “En la buena y en la mala” reflect a poignant narrative of love and betrayal, mirroring the highs and lows experienced in an intimate relationship. The speaker recounts finding love in good times (“En la buena te encontré”) and losing it in bad times (“En la mala te perdí”). This duality frames the story, emphasizing the conditional nature of the partner’s affection, which was contingent on the protagonist’s wealth and prosperity.
The song uses vivid symbols to deepen the emotional impact. “Fue tu amor, luz de bengala” compares the fleeting, superficial love to the transient light of a flare, bright yet quickly extinguishing. This imagery, along with references to “noches de champán” (nights of champagne), paints a lifestyle of ephemeral luxury that ultimately fades, leaving the protagonist desolate. Another striking phrase, “Y negra tu inconsciencia,” uses color symbolism to contrast the protagonist’s pure (“blanca”) innocence and the partner’s dark, unconscious malice.
Recorded in the year 1940 in Argentina, “En la buena y en la mala” emerged during a period marked by political instability and the onset of World War II. These turbulent times likely influenced Cadícamo’s portrayal of fleeting happiness and profound betrayal, reflecting a broader context of uncertainty and changing fortunes. The theme of disillusionment with materialism and exploitation of wealthy vulnerabilities possibly resonated deeply with an audience confronting societal upheaval.
Enrique Cadícamo was a prominent Argentine lyricist and poet, renowned for his significant contributions to the genre of Tango.